Serial monologist Mike Daisey is taking on Republican presidential nominee Donald Trump in a show that will bring some urgent civic discussions to the Guthrie Theater.
He will perform "The Trump Card," his solo show that premiered over a month ago to strong reviews, in Minneapolis just as the election season enters its last phase. The monologue orbits issues raised by the rise of Trump, including questions about civility, performance art and the state of American democracy.
It's perhaps the most high-profile kick-off of the Guthrie Theater's Level Nine Iniative, which seeks to promote conversation around urgent topics.
"Mike Daisey is one of the most electrifying voices in theater today," Guthrie artistic director Joseph Haj said in a statement. "The evening promises to be a provocative look at the system and society that has placed Trump so prominently in our world. I look forward to lively community discussion following this acclaimed performance."
Daisey's most famous work is "The Agony and the Ecstasy of Steve Jobs," a monologue about conditions at Apple's China factories. The story was broadcast on National Public Radio's "This American Life" as a work of journalism but was retracted after it was discovered to contain parts that were made up. In other words, Daisey is an expert of lying to get to the truth, or, as he likes to put it, performing.
"Trump Card" is helping Daisey come back from the ashes. His late work is clearly marketed as fiction, or performance art, an area in which he is expert.
"I understand Donald Trump because I'm a performer and he's a performer," Daisey said by phone from his home in New York. "And this is about peeling back the systems so that we see how the performance works."
Ever since Abe Lincoln was felled by a bullet fired by actor John Wilkes Booth, Republicans have been wary of theater. Is Daisey simply preaching to the converted.