Last Word was on the road with Prof and couldn't be there. Plain Ole Bill just got back from a Brother Ali gig in Duluth. Jimmy 2 Times and Fundo led the Bomp dance party at a packed Varsity Theater a night earlier. And when the three of them met up at the Triple Rock last Saturday for Dre Day, Bill and Fundo had to cut out early for a gig at Honey.
Who says DJs aren't rock stars?
Thanks in large part to their monthly Get Cryphy dance night -- which moves into First Avenue's Mainroom on Friday for its fourth anniversary -- these turntablists have become four of the most in-demand performers in town. They've been spinning up big crowds at local dance parties while keeping up appearances behind some of the scene's best-known rappers. But they're humble enough to credit their success to two other factors besides their own talent: the lack of competing dance nights and a shortage of aspiring local DJs.
"All the kids coming up in hip-hop either want to be rappers or producers, and none of them seem to want to be DJs," Bill Hebl (Plain Ole Bill) said.
Widely recognized as P.O.S.'s DJ (and now sometimes Ali's), Hebl got into a little braggadocious spat with his Get Cryphy co-founder Dan Marcoulis (Jimmy 2 Times) over what they planned to play for Dre Day. When Hebl mentioned a mix he had, centered around Dr. Dre's "Let's Get High," Marcoulis cracked in his upstate New Yorker accent, "That's cool. I've been doing that for three years now, but whatever. You can steal my act."
One thing that sets Get Cryphy apart is how fresh and current its playlists are. Some of the titles in the latest Get Cryphy mixtape -- available for free at www.getcryphy.com -- include new cuts by Drake, Rick Ross, Shawty Lo and Tyga and mashed up with the likes of Prof and P.O.S.
Another great trait is how the dance parties bridge the mainstream and indie hip-hop worlds in ways rarely seen in this town. Said Marcoulis, "Because our indie-rap scene is so strong, a lot of people are leery of anything mainstream. There was a lot of, 'Is this OK?' at first. Us as DJs, we never discriminated. If it was an awesome track, it's an awesome track."
Hebl and Marcoulis started Get Cryphy (pronounced "cry-fee") after losing a gig at Foundation when that club closed. They jokingly named it after two of the trendy hip-hop sub-genres at that moment, crunk and hyphy, but they were serious about maintaining the hyper, nonstop energy found in those styles. There are no slow jams here.