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Like 9/11, some events eventually are shorthanded into dates. Such as Oct. 7, now signifying the day in 2023 when Hamas terrorists killed more than 1,200 Israelis and took more than 200 hostage. But before both of those dark dates came Sept. 5, 1972, when members of the Black September Palestinian terrorist group scaled a wall at the Olympic Village during the Summer Games and took 11 Israeli athletes and coaches captive, initially killing two and triggering a globally watched hostage drama that played out live on TV.
The Olympics were in Munich, the city that became a metaphor for appeasement of Nazi Germany, but Black September’s nihilism gave Munich a new meaning. (As did Steven Spielberg’s splendid, Oscar-nominated 2005 film “Munich,” which explored the moral ambiguities of Israel’s assassination campaign against some of the attack’s remaining perpetrators.)
Appropriately, “September 5″ is the title of a new thriller now showing locally. The film’s focus, however, isn’t as much on the terrorists and Olympians or the enduring enmity between Palestinians and Israelis; rather, this story is about those who brought the world the story: ABC Sports journalists, and the nearly minute-by-minute media ethics decisions they had to make during what seemed to be an unreal and unprecedented event.
The carnage and coverage in Munich were a milestone.
Up until then, “I can’t think of another example of something of this magnitude unfolding in real time being covered by international media,” said Jane Kirtley, director of the University of Minnesota’s Silha Center for the Study of Media Ethics and Law.
“Beyond the incident, two really big things came out of this watershed event,” said Matthew Levitt, the director of the Washington Institute for Near East Policy’s Program on Counterterrorism and Intelligence. “The development of more specially qualified counterterrorism forces, because there was a tremendous amount of mistakes the police force made in that case, and also the issue of the media, both from a terrorist perspective of wanting media coverage and also the media’s perspective of grappling with some really heavy moral and ethical questions.”