To die for

From classical to rock, critic Tom Moon compiles a list of 1,000 must-hear recordings. Fans of Billy Joel, Mariah Carey and Garth Brooks will disagree.

September 20, 2008 at 6:39PM
An iPod mini. Museum podcasts -- both do-it-yourself versions and those created by museums themselves -- have taken off, changing the look and feel of audio tours at places ranging from the venerable, like the Metropolitan Museum of Art in New York to the virtually unknown, like the Studebaker National Museum in South Bend, Ind.
An iPod mini. Museum podcasts -- both do-it-yourself versions and those created by museums themselves -- have taken off, changing the look and feel of audio tours at places ranging from the venerable, like the Metropolitan Museum of Art in New York to the virtually unknown, like the Studebaker National Museum in South Bend, Ind. (New York Times/The Minnesota Star Tribune)

Tom Moon knows he's going to get a lot of grief as he travels the country to promote his new book, "1,000 Recordings to Hear Before You Die" (Workman, $19.95).

While his 1,008-page tome covers everything from rock and jazz to classical and world music, Moon, a critic for National Public Radio's "All Things Considered," knows the guff is going to come in the areas of pop and country.

For example, Billy Joel, Mariah Carey, Bette Midler, Celine Dion, Barry Manilow and Christina Aguilera get shut out, but -- gasp -- Britney Spears makes the list.

"Forget about her as a tabloid creature and think about her as a recording artist," Moon said the day before leaving on a nationwide tour that will bring him to Minneapolis on Monday. "When you try and look for great singles that came out after the year 2000, I kept coming back to 'Toxic.' I think that may be the best example of the art of the pop single since 2000."

In country, there's nothing on Moon's list from George Strait, Garth Brooks, Alan Jackson or Brad Paisley.

"If you start with George Jones, Johnny Cash, Dolly Parton, Bill Monroe, Ralph Stanley and Willie Nelson singing 'Stardust,' by the time you get to Garth, you'll perhaps see him differently," said Moon, who spent 20 years as a critic at the Philadelphia Inquirer. "I wanted to make sure some of the foundations were covered. We did have Narvel Felts in there. Now there's an underappreciated talent."

Moon, a former gigging saxophonist, spent three years compiling his book. After consulting other lists, fellow critics and artists (including Joni Mitchell and Beck) for recommendations, he listened to more than 3,500 recordings. He thinks his alphabetical compilation reflects scholarship, fun and diversity. He thought about "newbie music listeners" and what should be in a musical time capsule.

Ultimately, though, "the one thing I wanted everything to have is that sort of energy of a peak experience," Moon said.

Lots of Beatles, Beethoven

Most picks are albums, but there are some singles and anthologies or hits collections. The list includes six albums from the Beatles and six works by Beethoven. The newest disc is heavy rockers Mars Volta's "The Bedlam in Goliath" from this year, while the oldest is a collection of Enrico Caruso arias recorded before 1920.

Minnesota fares well, with Judy Garland, Eddie Cochran, Bob Dylan, Leo Kottke, Prince, the Replacements and Hüsker Dü all represented. But Koerner, Ray & Glover, arguably the nation's most influential white blues group, is missing.

"That's a good one; I'm writing that down," Moon said. "I'm hoping [the publishers] allow me to do an updated edition someday because there's already some I want back. I'd pick a different 1,000 today than I would have six months ago."

Moon already has taken some heat on his website, 1000recordings.com, which he welcomes. He expects the same during his promotional tour.

"I just want to start a conversation," he said. "There are no wrong answers as far as I'm concerned about music."

Jon Bream • 612-673-1719

about the writer

about the writer

Jon Bream

Critic / Reporter

Jon Bream has been a music critic at the Star Tribune since 1975, making him the longest tenured pop critic at a U.S. daily newspaper. He has attended more than 8,000 concerts and written four books (on Prince, Led Zeppelin, Neil Diamond and Bob Dylan). Thus far, he has ignored readers’ suggestions that he take a music-appreciation class.

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