Mumford & Sons to get 'Wilder' at Minnesota Wild's arena April 21

The British folk-rockers put out more of an electric album back in May before their pop-up fest date in Iowa.

November 9, 2015 at 3:16PM
(Drew Gurian/The Minnesota Star Tribune)
From left, Marcus Mumford, Ben Lovett, Winston Marshall and Ted Dwane of the band Mumford & Sons pose for a portrait in promotion of their forthcoming album "Wilder Mind" on Monday, April 6, 2015 in New York. (Photo by Drew Gurian/Invision/AP) ORG XMIT: INVW
(Drew Gurian/Invision/AP/The Minnesota Star Tribune)

After issuing more of an arena-rock-flavored album back in May, it's about time Mumford & Sons got around to booking an arena show in the Twin Cities. The British folk-rock hitmakers will return to Xcel Energy Center on Thursday, April 21. Tickets go on sale Friday at 10 a.m. via mumfordandsons.com or the X's box office for $40 and $60. Los Angeles' Americana singer/songwriter Blake Mills will open.

Marcus Mumford and his hard-strumming band swung through the Upper Midwest shortly after their rockier album "Wilder Mind" came out last June when they put on one of their Gentlemen of the Road "pop-up festivals" in small-town Waverly, Iowa, which was heavily marketed in the Twin Cities. Their last time in town was their first time at Xcel Center in 2013, a show that sold out fast. That was quite a leap from the Varsity Theater, where they played in 2010 (and they famously hit the 400 Bar just two years earlier opening for and backing Laura Marling).

Things have changed almost as much musically as it has commercially in that time for the group. In an interview before their Waverly show, bassist Ted Dwane said their changeover to a fully electric sound on "Wilder Mind" was a natural progression.

"It happened as naturally as everything else we've done," he said, noting that the breakthrough "Babel" album "represented us at that time."

"I think we did a good job exploring the parameters of that lineup of the band with acoustic instruments and not having a drummer. As we started writing songs for the third album, though, it became pretty apparent that people just weren't that excited to play acoustic instruments this time."

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

See Moreicon

More from No Section

See More
FILE -- A rent deposit slot at an apartment complex in Tucker, Ga., on July 21, 2020. As an eviction crisis has seemed increasingly likely this summer, everyone in the housing market has made the same plea to Washington: Send money — lots of it — that would keep renters in their homes and landlords afloat. (Melissa Golden/The New York Times) ORG XMIT: XNYT58
Melissa Golden/The New York Times

It’s too soon to tell how much the immigration crackdown is to blame.