Last week's announcement that "Good Morning America" beat NBC's "Today" show for a full week of ratings for the first time in 16 years was kind of big news, although not as big as ABC made it out to be.
Neither was it quite up to "Today" producer Jim Bell's hyperbolic assertion that his show's winning streak was "one of the most incredible achievements in television history." ABC cheered, the "GMA" cast posed for pictures and NBC was magnanimous over a difference of about 31,000 viewers, according to Nielsen.
But what does any of it mean to those viewers, who usually number between 4 million and 6 million on an average day for each ABC and NBC show, with "CBS This Morning" trailing with about 2.5 million?
The easy answer is: not as much as the broadcast networks think, but perhaps more than just which show gets a larger slice of the relatively finite (but lucrative) ratings pie from one week to the next.
Most likely, NBC will be back on top soon enough by an equally small margin because viewers' habits die hard, but there's no getting around the fact that "GMA" has spun itself silly doing whatever it can to energize its show, jettisoning significant news substance along the way.
Was there a memo from the top that every "GMA" show has to begin with the screaming yellow "Breaking News" banner? Not a terrible strategy, since information loses its value the moment it's metaphorically driven off the lot. But much of the time, the breaking news isn't all that newsy and probably broke on the Internet hours earlier anyway.
Still, the breaking-news gimmick fits the breathless pace of "Good Morning America" all too well.
George Stephanopoulos usually handles actual news "stories," which are often no more than a couple of minutes long, with Robin Roberts often reporting human interest stories. The show's rapid-fire pace is obviously designed to respond to a contemporary viewership with a mass case of attention deficit disorder. By the second half-hour, "GMA" seems to have taken a smudged page from the HLN playbook, focusing on a lurid child abduction, missing coed or murder case, with commentary from legal analyst Dan Abrams, often abetted by the queen of scandal mongers, HLN's Nancy Grace.