Post plays two at No. 1
This month's release of his third album, "Hollywood's Bleeding," has only added to the high anticipation for Post Malone's first local headlining tour stop since his 2017 breakout. The new No. 1 record is mighty goofy — the Ozzy Osbourne collaboration is just part of his crazy train — but it's also a lot of fun and very catchy, as the Dallas singer/rapper openly touts himself as a pop star more than a hip-hop thug. His "Sunflower" partner Swae Lee opens.
Chris Riemenschneider
8 p.m. Thu. & Fri. Xcel Energy Center, St. Paul. $50-$377, ticketmaster.com.
Maggie Rogers is one of the most impressive pop newcomers of 2019. Buoyed by a First Avenue show and a "Saturday Night Live" appearance before her debut album, "Heard It in a Past Life," was released in January, this 25-year-old Maryland native combines pop-styled lyrics with electronica instrumentation. Part Lorde and part Florence Welch, Rogers is a strong-voiced, literate popster who sings about identity and romance with 20-something authority.
Jon Bream
8 p.m. Thu. Armory, Mpls. $32.50 & up, ticketmaster.com.
British composer Carl Davis knows about using music to heighten storytelling. In the 1970s, he became the go-to guy for scoring rereleases of silent films, like Charlie Chaplin's "City Lights." In Pittsburgh Ballet Theatre's version of "The Great Gatsby," Davis mixes jazz and popular music for sumptuous accompaniment. Choreographed by Jorden Morris, this retelling of F. Scott Fitzgerald's masterpiece about longing for the American Dream is performed with a live orchestra.
Sheila Regan