The adjectives most often used to describe Steve Zahn are probably "wacky" and "stoned," but the first two whipped out in this newspaper were "sensitive" and "consistent."
They're from theater critic Peter Vaughan's review of "Biloxi Blues" at Old Log Theatre in 1987. Zahn, a state champion in speech who alternated in lead musical roles at Robbinsdale Cooper High School with future Guthrie mainstay Robert Berdahl, was only a couple of years removed from playing Harold Hill in "The Music Man" in school when he landed the Old Log gig. He didn't stick around long, moving to New York and Los Angeles and landing parts quickly (including a national tour of "Bye Bye Birdie" that came to the Ordway).
Sensitive and consistent though he may be, the actor quickly developed a reputation as someone a director could cut to when a laugh was in order. Zahn hasn't played a ton of movie leads, but not having to stick around for every scene of a three-month shooting schedule gives him the freedom to pop in for three or four weeks instead, allowing him to rack up 81 credits in less than 30 years.
He's a free-spirited best friend or a wacky neighbor or a goofy weed dealer in a lot of his roles. But Zahn has said he's the "exact opposite" of that guy.
Vaughan may have had a point all those years ago, because Zahn is not a one-trick pony. He's adept at suggesting the sadness that lies behind most of the best comedy, and having established a shtick, he has sought opportunities to contradict it. GQ magazine called him "the nation's most pre-eminent character actor."
Tommy Lee Jones and Regina King may have something to say about that, but it's true that Zahn can do a lot with a little. In interviews, the actor has expressed frustration about missing opportunities that could have made a difference for his career; he lost "Courage Under Fire" to Matt Damon and didn't accept HBO's "Band of Brothers" because "Joy Ride" was a better paycheck. But even though Zahn (who now lives in Kentucky and occasionally does local theater there) works a lot, he can't do everything he's offered.
Sometimes it seems like he tries to. He often ends up in projects that aren't worth his time (let's pretend Adam Sandler's "The Ridiculous 6" never happened), but a résumé as jam-packed as Zahn's is bound to include a lot of terrific movies, some of which are blockbusters and some you've probably never heard of.
Unless you saw Zahn's Harold Hill, this is probably your first look at him, and it remains one of his best roles. Zahn's frequently baked character seems like a punchline, and he makes some of the script's funniest jokes even better with his skewed timing. But the Marshall, Minn., native really comes through in the tender closing scenes, when it's revealed his character uses humor as a defense mechanism so he won't become the joke.