The leaders of a new local program to provide art therapy for veterans dealing with trauma have made a discovery: sometimes the most resistant participant ends up getting the most out of it.
For veterans who have experienced post-traumatic stress disorder or other forms of service-related trauma, applying paint to canvas or simply cutting out and pasting images from a magazine can often be a better form of expression than sitting around and talking about it.
St. Paul-based Ars Bellum Foundation has partnered with the Adler Graduate School, a Richfield school that offers a master of arts degree in counseling and psychotherapy, to create a clinical art therapy program for Minnesota veterans. Modeled after a program developed at Walter Reed National Military Medical Center in Bethesda, Md., licensed art therapists lead participants in small group sessions to identify and deal with their struggles, many that have been buried for decades. They meet wherever they can, often in local VFWs, which have been supportive of the program.
"It's a nonthreatening environment where you can put your hands on it; where you don't have to find a word to express a feeling or emotion," said Ars Bellum Board Member Matthew Vater, a colonel in the Minnesota National Guard who has been deployed to Bosnia and Iraq. "You can use a symbol, you can use a picture, you can use a color or a shape. You can use a medium, be it clay, be it paint, be it collage."
Ars Bellum, which translates into "arts of war," is unique in the state. While the VA has more than a dozen art therapy programs across the country for trauma, none is in Minnesota.
Art therapy for veterans has proved effective in reducing some of the most chronic symptoms of PTSD, including anxiety, nightmares, anger outbursts and emotional numbing. It may work particularly well for veterans who have experienced the vast Veterans Affairs bureaucracy and come away intimidated or frustrated.
"It helps to reach a part that might not have been reached traditionally," Vater said.
It's not so much about whether the art is any good, but what the artist gets out of it, often in unexpected ways.