Queens of the Stone Age frontman Joshua Homme performs on the second night of the Coachella Music and Arts Festival in Indio, Calif., on Saturday, April 12, 2014.
Brian van der Brug, Los Angeles Times/MCT
Carnage, second from left, performs with a new band Friday at the Dakota.
Mike Madison Photography,
Mastodon thunders into First Avenue on Wednesday.
Chromeo plays First Avenue on Tuesday.
The Big Gigs for May 2-8: Chromeo, Diana Ross, Queens of the Stone Age and more
- May 2, 2014 - 12:21 PM
Sounding like a cross between the late J.J. Cale and Greg Brown, Ray Bonneville celebrates his new Red House Records release. Perhaps “celebrates” is the wrong verb — “Easy Gone” is filled with downbeat, spare, world-weary songs, including the miserable new murder ballad “Love Is Wicked.” A cheerful little earful it ain’t, but the Austin, Texas-based singer, tasty guitarist and harmonica man does manage to make his lost love songs and deserted road songs pretty insidious and contagious. (9 p.m. Fri., Aster Cafe, $15.) Tom Surowicz
Massachusetts-launched singer-songwriter Dar Williams is celebrating the 20th anniversary of her folk-pop debut, “The Honesty Room,” by performing it in its entirety. She emerged as a smart, often humorous songwriter with a flair for pop hooks. Over the course of eight more studio albums, her writing has evolved to reveal more depth and embrace a wider range of topics and social commentary. Williams’ stage presence is as fresh and amusing as her music. (7 p.m. Fri.-Sat., Dakota Jazz Club, $35.) Jon Bream
Saturday would have been folk-music giant Pete Seeger’s 95th birthday. (He died in January.) So good-hearted Minneapolis singer Larry Long has organized “For Pete’s Sake,” a concert to honor his activist pal Seeger. The well-connected Long has enlisted about 95 guests, including singer/musicians Robert Robinson, Prudence Johnson, Tony Glover, Chastity Brown, Mitch Walking Elk and Aimee Bryant as well as Sharon Sayles Belton, Louis Alemayehu, Josie Johnson, Ann Bancroft and others to recite Seeger’s written work. Scenes from Minnesota filmmaker Bill Eigen’s 2007 documentary, “Pete Seeger: The Power of Song,” also will be shown. The event is a fundraiser for the Park Avenue Children’s Defense Fund Freedom School in south Minneapolis. Read a profile of Long at startribune.com/music. (7:30 p.m. Sat., Fitzgerald Theater, $30.) Bream
At the Orpheum last August, Diana Ross gave the kind of the fabulous performance you wouldn’t have expected from the Motown queen at age 69. Well, she is the diva’s diva. She knows how to work a gown and a song. She offered Motown hits, Billie Holiday numbers and several of her solo smashes. So what if the show was a tad short and she didn’t sing “Reach Out and Touch (Somebody’s Hand).” She has to sing that anthem at the annual benefit for Pacer Center, which serves children with disabilities. (About 8 p.m. Sat., following a pre-show auction, Minneapolis Convention Center, $70-$600, 952-838-9000, pacer.org) Bream
After two appearances at the swanky Dakota, Rock Hall of Famer Leon Russell takes his distinctive blend of gospel/blues/rock to the funky ol’ West Bank. The 72-year-old with the seemingly gerry-rigged keyboard setup will play favorites by the Beatles, Stones and Dylan (he was a session player on countless famous records) as well as such essential Russell records as “Delta Lady,” “Tight Rope” and “A Song for You.” Bring your earplugs. Louisiana-reared, New York-based Americana singer Riley Etheridge Jr. opens. (8 p.m. Sat., Cedar Cultural Center, $35-$50.) Bream
When he’s not touring with big brother Pete’s group the Who, Simon Townshend has impressed with his own records. He just released “Denial,” his eighth solo outing. His high vocal register recalls Pete’s, and the songs discussing the challenges of life and odd musings suggests some of Pete’s solo work. Of course, if you’d never heard any of Pete’s records, you might be heaping praise on Simon. (7 p.m. Sun., Dakota, $25.) Bream
Hard to believe it’s been seven years since Queens of the Stone Age last played in Minnesota, given the band’s storied local history, going back to its 400 Bar gig with Dave Grohl on drums (2002) and its so-called Duluth Tour (2007). The groove-metal wizard of the California desert, Josh Homme, and his always-tight crew did not disappoint with their long-awaited sixth album, “ ... Like Clockwork.” Fans probably needn’t worry about the Wilkins’ notorious acoustics drowning out the album’s loud and heavy mojo. Opener Chelsea Wolfe might be recognized from the trailer for this season’s “Game of Thrones.” (7:30 p.m. Tue., Roy Wilkins Auditorium, $32.50-$39.50.) Chris Riemenschneider
After somehow graduating beyond novelty-act status with its first couple of white-hipsters-doing-dirty-funk-rap albums, Montreal’s kitschy electro-disco duo Chromeo is on the verge of another breakthrough. At Coachella last month, falsetto-loving singer David Macklovitch and his Oates-like partner Patrick Gemayel had swarms of California millennials dancing like they were auditioning for “Breakin’ 3.” Now, they’re touring to hype their first album with Atlantic Records, “White Women,” full of Pharrell-like happy dance-pop and featuring such guests as Solange Knowles and Vampire Weekend’s Ezra Koenig. Los Angeles duo Oliver opens. (9 p.m. Tue., First Avenue, sold out.) Riemenschneider
After last year’s riotous FLAG tour with other Black Flag alums, Los Angeles punk hero Keith Morris (see also: Circle Jerks) is back tossing his dreadlocks, skinning his knees and shredding his vocal cords around the stage with OFF!, one of the most viscerally satisfying new bands of the past four years. The band’s second album, “Wasted Years,” has an especially raw, live sound that came with recording it in their rehearsal space, but still offers the same 1- to 2-minute short-burst tunes and crushing riffs. Charmingly grimy Brooklyn punk quintet Cerebral Ballzy opens with NASA Space Universe. (8 p.m. Wed., Triple Rock, $15.) Riemenschneider
Mastodon shows are heard and absorbed more than they’re seen, with little in the way of stage lighting, banter or personality. It’s just 90-minutes-plus of nonstop riffing, shredding and pounding. The Atlanta prog-thrashers are touring ahead of their first studio album in three years, “Once More ’Round the Sun,” due in June with the surprisingly melodic new single “High Road” leading the way. Two of Europe’s burgeoning new metal bands, France’s Gojira and Norway’s Kvelertak, open. (7:30 p.m. Wed., First Avenue, $26.50-$30.) Riemenschneider
Xeno is a footnote in Midwest rock ’n’ roll. He began his career in 1971 as lead singer of a Rockford, Ill., bar band called Cheap Trick. In ’73, he left for the Twin Cities (with Robin Zander replacing him) and a theatrical/glitter rock band called Straight Up and later joined Dare Force. In ’82, Xeno signed on with Milwaukee’s Bad Boy, and he’s been rocking in the City of Festivals ever since. He’s got a new band, Happy Jax, which features longtime BoDeans bassist Bob Griffin, and a new solo album, “I Still Believe in Rock ’n’ Roll.” Highlight: The full-tilt rocker “No Personality,” which evokes the New York Dolls. (7 p.m. Thu., Minnesota Music Cafe, $5-$7. ) Bream
Nearly a decade since its members started playing together at Oregon (Wis.) High School, near Madison, the Youngblood Brass Band is starting to blow up. A 10-member, hip-hop-infused adaptation of a funked-up New Orleans brass band — there’s even a full-time rapper — the Youngbloods issued last year’s album, “Pax Volumi,” via England’s Tru Thoughts label (also Alice Russell’s reps) and have gained NPR support and festival gigs. Electro-funky local rapper Botzy opens. (9 p.m. Thu., Triple Rock, $10-$12.) Riemenschneider
It’s hard to say which is more momentous: a hip-hop show at the Dakota, or Carnage with a live band. With his beatboxing skills, the well-respected Minneapolis rapper is something of a one-man-band, but for a show he’s calling “Up Close & Merciful,” he’ll leave the beats and grooves in the capable hands of guitar wiz Mike Michel, drummer Mark Schwandt (White Light Riot), bassist Ian Allison (Jeremy Messersmith) and keyboardist Josh Holmgren (More Than Lights). (11 p.m. Fri., Dakota, $8.) Riemenschneider
With his mug shot from a burglary arrest for cover art, straight-outta-Compton rapper YG’s debut album, “My Krazy Life,” really isn’t all that crazy. The 24-year-old budding star doles out hard, Ice Cube-style street tales alongside calls for women and weed as salvation. Young Jeezy was the album’s executive producer and guests on the single “My N---a,” which made it to No. 19 on Billboard’s Hot 100. The young gangsta is performing with DJ Mustard, who helmed most of the record. (9 p.m. Thu., First Avenue, $22-$25.) Riemenschneider
Veteran soul/R&B singer Sonny Knight is in the midst of a career revival after hooking up with the Lakers, a sparkplug group of hip, young, funk-loving musicians. The eight-man ensemble formed in the wake of 2012’s “Twin Cities Funk & Soul” compilation album from Secret Stash Records. Their Secret Stash debut, “I’m Still Here,” shows how well they’ve jelled, delivering tight, seedy funk blasts such as “Jucy Lucy” as adeptly as the elegantly arranged, two-part Curtis Mayfield-style title track. The Honeydogs and punky doo-woppers Southside Desire open. (8 p.m. Sat., First Avenue, $10-$15.) Riemenschneider
After being eliminated on “Dancing With the Stars” in 2006, country star Sara Evans divorced and struggled career-wise. “Stronger,” her 2011 album, signaled a comeback with the chart-topping single “A Little Bit Stronger.” She makes a strong move away from Nashville on this year’s “Slow Me Down,” traveling in Pat Benatar territory on “You Never Know” and dueting with Gavin McGraw on the peppy, piano pop tune “Not Over You” and the Fray’s Isaac Slade on the big pop ballad “Can’t Stop Loving You.” A twangy Vince Gill duet, the fiddle-accented “Better Off,” sounds a little more country. Opening are the Swon Brothers, from NBC’s “The Voice.” (8 p.m. Sat., Mystic Lake Casino, $44 & $54.) Bream
Chicago stars Robbie Fulks and Don Stiernberg will help the splendid Twin Cities bluegrass quintet the High 48s celebrate their sixth album, “Great Northern Railroad,” featuring tunes by Greg Brown, Becky Schlegel, Robin and Linda Williams, even Muddy Waters. Fulks is the alt-country songsmith whose recent album “Gone Away Backward” is a bluegrass-compatible gem, while Stiernberg is an outstanding jazz mandolinist and a fine harmony singer. They were bandmates with High 48s guitarist/frontman Marty Marrone in the Grammy-nominated bluegrass group the Special Consensus, so this will be a happy and hip reunion. (7:30 p.m. Fri., O’Shaughnessy Educational Center, University of St. Thomas, 2115 Summit Av., St. Paul. $15.) Surowicz
Acoustic guitar buffs should be excited by a duet show co-starring Julian Lage and Chris Eldridge. Lage is the former jazz child prodigy best known now as a member of several great Gary Burton quartets. Eldridge is a young bluegrass all-star who made his mark with the Seldom Scene, then the Infamous Stringdusters, and more recently as co-founder of the Punch Brothers as well as a prized sideman for the likes of Paul Simon, Justin Timberlake and Elvis Costello. (7 p.m. Wed., Dakota Jazz Club, $25.) Surowicz
Besides being a fine guitarist, adept composer and veteran educator, Paul Renz is good at finding new concert venues to invade. Case in point: the Steeple Center, a former church in Rosemount, where Renz’s quartet will feature Baltimore-based pianist Alan Blackman, who has performed with a host of jazz heavyweights (Donny McCaslin, Joe Locke, Richie Cole) and whose music has been featured on such TV shows as “Grey’s Anatomy” and “Nashville,” and even a Stephen King flick, “1408”. (7 p.m. Sat., 14375 S. Robert Trail, 651-322-6020. $5.) Surowicz
When German violin prodigy Veronika Eberle made her New York recital debut in 2009, at just 20, she won critical praise for her “introverted intensity and interpretive boldness.” Now she is appearing for the first time with the St. Paul Chamber Orchestra to play Beethoven’s sweetly lyrical Violin Concerto. Roberto Abbado was sick and did not appear with the SPCO as scheduled last week, but will conduct these concerts. Also on the program: Eight Instrumental Miniatures by Stravinsky, and Haydn’s Symphony No. 88. (8 p.m. Fri. at Wayzata Community Church, 125 E. Wayzata Blvd.; 8 p.m. Sat. at St. Paul’s UCC, 900 Summit Av., St. Paul, $10-$40, 651-291-1144, or thespco.org.) Claude Peck
Minnesota composer David Evan Thomas gets a world premiere by 40-voice choral group Kantorei in concerts in Owatonna and St. Paul. Thomas sets his piece “For God So Loved the World” to Jesus’ words to Nicodemus in John 3:16. “It’s one of the cardinal texts of the Church,” Thomas says, “but I haven’t found many treatments of it.” Led by Axel Theimer, Kantorei also performs music by Britten, Hindemith, Poulenc, Stephen Paulus and others. (7:30 p.m. Sat., Sacred Heart Parish, 810 S. Cedar Av., Owatonna; 4 p.m. Sun., St. Paul Seminary, 2260 Summit Av., St. Paul, $20, 612-217-4647, www.kantorei.net.) Peck
The SPCO’s Liquid Music series continues to explore classical music’s next frontier by pairing violist Nadia Sirota with Icelandic composer Daniel Bjarnason. Sirota, who’s been called “the beating heart of radical modern classical,” will premiere a string version of Bjarnason’s concerto “Sleep Variations,” joined by a new local ensemble making its debut, the Minneapolis Music Company. Led by former Minnesota Orchestra assistant conductor Mischa Santora, the group plans to present interdisciplinary concerts blending live music with other performing and visual art forms. (7 p.m. Tue., Amsterdam Bar & Hall, $10.) Kristin Tillotson
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