Fringe Festival reviews: Edgar Allan Poe, middle-schooler

  • Updated: August 2, 2014 - 10:45 AM

Fringe continues, with a David Auburn playlet and a creepy basement thingy.


Gemma Irish and Mark Sweeney stage “Into the Unreal City.”

Photo: RENEE JONES SCHNEIDER •, Star Tribune

CameraStar Tribune photo galleries

Cameraview larger

Edgar Allan

Like a character in a 19th-century “Rushmore,” Edgar Allan (Katie Hartman) aims to conquer, at age 11, the “finest boarding school in all of England.” He’s an odd little fellow, speaking in precocious rhymes and overdramatic flourishes. Edgar, however, finds himself bested at every turn by another Edgar Allan (Nick Ryan). After jousting for dominance, they form a boyish bond that is sullied by betrayal, providing for a very “Cask of Amontillado” denouement. The uneven tone is punctuated by ukulele ditties and wry laughs, mostly from the very deadpan Ryan.

(10 p.m. Sun., 7 p.m. Tue., 5:30 p.m. Sat., 2:30 p.m. next Sun.; Theatre Garage, 711 W. Franklin Av.)

Cynthia Dickison


Into the Unreal City

Playwright Gemma Irish is a romantic, writing with sincerity and intimacy. She and producer/composer Mark Sweeney take the audience on a literal journey of the heart — and Minneapolis’ West Bank — with catchy songs and prose that leaves you humming the tune into the next Fringe show. This rom-com tells a familiar story of boy (Zeke) meeting girl (Bret) in a convincing, non-cheesy way that melts your heart, brings a smile to your face and adds pep to your step. Remember to wear comfy shoes; you will be standing and walking for the entire show.

(7 p.m. Sun.-next Sun.; Rarig Arena, 330 21st Av. S.)

Karen Zamora



Vox Medusa’s modern-day take on the ancient tale of Ariadne and the Minotaur contemplates the beast within. The monster is the creation of the fearful inner voices and disturbing visions that plague us all. Choreographer Kristin Freya gives her dancers a slinky demonic edge. Choir director Emily Colay’s crisp vocals are like siren songs. Alexandria West is a suitably skeptical contemporary Ariadne. This show wanders off its narrative path at times, but just keep following the threads — they lead to an uplifting ending.

(8:30 p.m. Sun., 8:30 p.m. Thu., 1 p.m. Sat., 5:30 p.m. next Sun.; Intermedia Arts, 2822 Lyndale Av. S.)

Caroline Palmer


Fifth Planet

Like “Proof,” David Auburn’s most famous drama, “Fifth Planet” involves a passionate amateur doubted by a real scientist. Mike (Edwin Strout), a janitor at an observatory who is in a troubled marriage, likes to go to grassy hilltop at night to watch the stars. As he looks through his telescope, he encounters Dr. Veronica Babcock (Julie Ann Nevill), a real and haughty astronomer. Their fortunes change and worlds intersect in unexpected ways in this playlet that has 44 scenes delivered in 55 minutes. Staged with a soft wonder by Jean Wolff, it is worth a look if only to see Strout play two characters in the arrestingly funny Trigger Happy scene.

(5:30 p.m. Sat., 2:30 p.m. Sun., 10 p.m. Wed., 5:30 p.m. Sat.; Theatre in the Round, 245 Cedar Av. S.)



    What: Hourlong dramas, comedies and musicals, at multiple venues.

    When: July 31-Aug. 10.

    Tickets: $12, $5 for ages 12 and under, with multi-show passes available,

    Web: Reviews at

  • get related content delivered to your inbox

  • manage my email subscriptions


Connect with twitterConnect with facebookConnect with Google+Connect with PinterestConnect with PinterestConnect with RssfeedConnect with email newsletters