Terry Allen Kramer, 85, the colorful Broadway producer who won five best-production Tony Awards in 16 years but was just as well known as the grande dame of Palm Beach, Fla., socialites, died May 2 at NewYork-Presbyterian/Weill Cornell hospital in Manhattan.
Kramer had contracted pneumonia while visiting the Bahamas last month.
Kramer's first Tony was for Edward Albee's "The Goat, or Who Is Sylvia?" (2002), the unexpected story of a married architect who falls in love with a female of another species. It was named best play. Her last was for "Hello, Dolly" (2017), the widely praised Bette Midler production about Thornton Wilder's 19th-century larger-than-life widowed matchmaker. It was named best musical revival.
Kramer won Tonys for two shows featuring drag performers as major characters: "La Cage aux Folles" (2004), best musical revival; and "Kinky Boots" (2013), best musical. She also produced the drama "The Humans" (2016), which won four Tonys, including best play.
Although she kept her awards in her Manhattan home, she was better known for her Florida residence. When La Follia, her Palm Beach estate, was put on the market last fall for $135 million, it was said to be the most expensive American property ever listed. The Italianate villa, facing both the Atlantic Ocean and the Intracoastal Waterway, covers more than 37,000 square feet, with 13 bedrooms, a movie theater and its own fitness center.
Invitations to Kramer's annual Thanksgiving dinner at La Follia were prized, and even other celebrity hosts praised her — particularly for standing at the buffet, alongside her staff, serving the guests herself. Photos taken there and around the world showed Kramer, instantly recognizable by her signature long blond hair, deep tan and (often) diamond earrings, with famous friends like Joan Collins, Jerry Hall, Denise Rich and Ivana Trump.
Kramer was 41 when she produced her first Broadway show, "Good News," a 1974 revival of a 1927 musical, with a cast including Alice Faye and Stubby Kaye. It was teasingly described by critic Clive Barnes in the Times as "entirely recycled, up-to-the-minute nostalgia." The show opened two days before Christmas and closed on Jan. 4.
In 1977, things went considerably more smoothly with "I Love My Wife," a relatively low-budget comedy that ran two years and won two Tonys and six Drama Desk Awards.