After a year's hiatus, in-person versions of "The Nutcracker" are back in the Twin Cities, and as plentiful as they seemingly have always been.
Part of the fun about the two-act production of Tchaikovsky's "Nutcracker" is tradition, which is why so many people enjoy seeing a particular version year after year. That being said, there are always new traditions to explore.
For example, Twin Cities Ballet's production of "A Minnesota Nutcracker" is adding a sensory-relaxed performance on Dec. 9. It will allow for relaxed theater rules, including having the house lights on, keeping theater doors open and designating a "quiet zone." For example, Twin Cities Ballet's production of "A Minnesota Nutcracker" is adding a sensory-relaxed performance on Dec. 9. It will allow for relaxed theater rules, including having the house lights on, keeping theater doors open and designating a "quiet zone." A production with a twist is the "Nutcracker in Wonderland," which features a Rat Queen and a Rat King in the first act and the Cheshire Cat and caterpillar in the second one.
There are also new shows featuring longstanding traditions. St. Paul Ballet showcases scenes once used in "City Children's Nutcracker" by Lirena Branitski, who was a touring member of the Bolshoi Theatre and came to Minnesota during the Cold War.
As in past years, the various productions of the beloved holiday ballet are as varied as candies in the Land of Sweets. But how well do you really know the "Nutcracker" landscape? Here are a few questions to test your knowledge of local productions and the ballet's history.

Q: The libretto is based on E.T.A. Hoffman's "The Nutcracker and the Mouse King." But what is the back story of the 1816 fairy tale?
A: The Nutcracker was originally a puppet maker who saved a princess from a curse, only to be cursed himself by the Mouse Queen.
Q: Why is the main character sometimes called Clara and other times called Marie, Maria or Masha?
A: French author Alexander Dumas changed the main character's name from Marie to Clara. Dumas' version was used in the original ballet production, and confusion has reigned ever since.
Q: What is the name of the device used in the original 1892 Mariinsky Theater production in St. Petersburg that made the Sugar Plum Fairy appear to be lighter than air?
A: Choreographers Lev Ivanov and Marius Petipa set up a small platform or wagon set on a track called a reika for the debut. As the sugar plum fairy, holding the prince's hand, stepped on a scarf, the reika operated from beneath the stage floor moved her along the stage. The contraption made the fairy seem to be lighter than air.