Sounds of the jungle were as thick as the humidity. Birds chirped and trilled. A deep hoot added a bass note. An almost mechanical staccato clicking joined in. I was following a Mayan guide, Juan Gualberto Tun Pat, down a garden path on the grounds of my hotel, where life is so insistent that young trees sprout in the middle of the gravel walkway.
At a wrought iron gate, two guys sat at a weathered Formica-topped table, the young one working math problems, the older one tuning a radio. They paused to check my entrance ticket, exchanged greetings with Juan in their language, Yucatec Maya, and waved us on our way.
I felt like I'd just slipped through the secret back door to Chichen Itza, the Mayan archaeological wonder in the interior of Mexico's Yucatán Peninsula.
The collection of pre-Columbian architectural masterpieces — pyramids, temples, columns — represent an ancient Mesoamerican culture steeped in art and science. The former urban center covers more than four square miles and two distinct periods — one collection of buildings was constructed by the early Mayans, while others date to a time after the Toltecs arrived and merged cultures with the existing community, Juan said. Its size and breadth make it one of the most formidable of the Mayan sites that dot Mexico, Guatemala and Belize. Chichen Itza was named one of the New Seven Wonders of the World in 2007, reinforcing its status as a full-blown tourist attraction. According to UNESCO, which lists the treasure as a World Heritage Site, at least 3,500 people pour in each day. Most are day-trippers from Merida, Cancun and other coastal resorts who arrive midmorning and tour under a withering sun.
At 8:30 in the morning, Juan and I saw none of them.
Not long after we greeted the guards, our shaded path led to the crumbling remains of a vaulted room nearly hidden by lush foliage, a tumble of moss-covered stones heaped at its base. It was the backside of Akab Dzib, or House of the Dark Writing, named for its still undeciphered hieroglyphs and one of the oldest ruins of Chichen Itza.
In a nearby grassy lawn, the only buzz came from a colony of bees hovering among clover just above the morning dew. We'd stopped there to view a collection of stunning white stone structures with fanciful carvings of human faces and geometric friezes. Among them was El Caracol, the remains of an observatory where early Mayans tracked the movement of Venus.
I puzzled over a man who stepped over a fence and scaled its exterior staircase.