Sousepaw: A Baseball Story
First, get on Wikipedia and read up on left-hander Rube Waddell. He pitched like a demon from about 1900 to 1910. This heartbreaking play puts Waddell in a Texas hotel, on the eve of what he believes will be a comeback. He has asked the Reptile Girl from a local circus to come visit him. These two bereft souls express an epic, if tragically doomed, hope for better things. James B. Kennedy and Ariana Venturi are outstanding, with a palpable chemistry. Jonathan Goldberg's script is a small jewel. I would see it again and again. More show information.
- GRAYDON ROYCE
Underneath the Lintel
It's the really crazy ones who believe they are perfectly lucid and make us believe it, too. Pat O'Brien gives a convincing portrayal of a librarian whose only mania, at first, is that he takes library rules too seriously. A Baedeker's Travel Guide has been returned 123 years overdue -- "And in the overnight slot, no less! Appalling!" -- and he cannot let it go. One clue leads to another, and soon the librarian has found proof of the existence of God. It's a fascinating rabbit hole, and O'Brien is brilliant as he leads us on. More show information.
- ERIC RINGHAM
Son of a -----!
Although Levi Morris' "Son of a -----!" suggests something foul-mouthed and frank, it turns out to be an earnest, tender coming-of-age story by a self-admitted mama's boy. He's a 24-year-old man with part of a 50-odd-year-old woman living inside of him, he tells us. Morris and Elizabeth Behnke, who plays his mother, dance, mime and bound across the stage as they deliver memories from a fractured childhood. The show, whose atmospheric music is played by cellist Kathleen Watson and pianist Sarah Gillund, is a little long and loose. If it wins us over in places, it's because of its humor and big heart. More show information.
- ROHAN PRESTON
Tempests
You can't get more high-concept than this: a Shakespearean adaptation of the classic horror film "Aliens," written as a sequel to "The Tempest." But Tedious Briefs' production is more than an intellectual exercise. With clever verse, it tells a compelling adventure story, nicely connecting Shakespeare with the sci-fi thriller, using special effects, stylized movement and action-filled battle scenes. The large cast is somewhat variable in their abilities to communicate the verse, but Katie Willer, as Miranda, gives a bold, emotionally engaging performance. Ben Tallen provides a nice bit of comic relief. More show information.