Travel west along U.S. Route 14, beyond the Minnesota River Valley and Laura Ingalls Wilder's prairie hamlet of Walnut Grove — out where wind-whipped grasslands roll away, mostly treeless, toward far horizons in every direction — and about the time you pass through Custer Township in Lyon County you may begin to suspect that you are entering a different America, in more ways than one.
I made a 2,150-mile loop through the near West earlier this month. And if it's not corny to say so — or rather, even though it is corny to say so — it reminded me that America still embodies a land, a people and a story of spectacular complexity. It's still a place where dreams come true, or anyhow stubbornly keep trying to come true.
And for all the nation's traumatic divisions just now, it still is a place where very different sorts, even enemies, can eventually find common ground, or at least a common picnic table.
Custer Township was the first thing I noticed heading west that was named in honor of the fierce and flamboyant cavalry legend George Armstrong Custer, who met his famous fate on a Montana hillside in 1876, the year the township was organized. But as one wanders beyond the Minnesota-South Dakota border, towns and parks and tourist traps invoking the Custer mystique multiply as fast as prairie dogs.
Folks at home on the range don't yet seem to have gotten the thoroughly up-to-date message that the names and images and myths surrounding traditional heroes of yesteryear — especially figures as justifiably controversial as Custer, an ardent warrior who never flinched from the knowledge that war was about killing — are to be systematically erased from modern memories.
And of course it's not only Custer who's remembered in a big way out West, even in this era of toppled statues and renamed landmarks elsewhere. Not far from the town of Custer, S.D., high amid the pines and crags of the Black Hills (the setting for a jewel called Custer State Park), soars Mount Rushmore, an iconic and irreducibly outlandish monument to other flawed paragons of the past that is rather unlikely to be pulled down from its perch any time soon.
Yet in the decades since I last visited, officialdom has seen fit to remodel much about Rushmore. Where once the visitor center seemed a sprawling, low-slung ranch-style affair, all redwood and glass, today ponderous structures and pillars of stone abound, evoking a kind of immense statist grandeur that seems suitable enough in Washington, D.C., London, and other great capitals, but is trying too hard here. The overweening greatness of it all merely obscures the improbable juxtaposition of oversized nature and oversized patriotism that has always given Mount Rushmore its oddball charm.
That's just one reason that the even more improbable Crazy Horse Memorial — just down the road from George Washington and friends — now seems the more quintessentially American eccentricity. Like the nation, it is a work that seems endlessly in progress, some 70 years after its carving was begun, partly because it remains a private project that declines government funding and control. It is a mountain-sized sculpture of the great Lakota Chief Crazy Horse, another ardent warrior of the west, and the one who happened to destroy Custer and his command at the Battle of the Little Bighorn.