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Continued: Homegazing: Inside Horst's downtown Minneapolis penthouse

  • Article by: JIM BUCHTA , Star Tribune
  • Last update: August 9, 2014 - 5:10 PM

A: Every project we work on has a budget, and we needed to think carefully about how to maximize the efficiency of the construction process and the material selections to stay on schedule and within the budget.


Q: What’s your favorite space, and why?

A: I love the main staircase, especially when it is lit up in the evening, and I am particularly fond of the marble bathroom in one of the master suites, which has an intimate scale and beautiful, filtered natural light. The Italian glass kitchen from Valcucine is also remarkable, both for its elegance and its precise engineering.


Q: Aside from a couple of really dramatic Italian light fixtures, reputedly made from recycled Ferrari headlights, that were too big to fit into the elevators and had to be craned into the 17th-floor condo, the space is pretty austere. What guided your choice of materials?

A: The owner wanted materials that created drama in the large open spaces, but were healthy and easy to clean. The living, dining and kitchen floors are very large-format porcelain (2 feet by 4 feet) that combine with the white walls to give these spaces a lovely abstract feeling. This was particularly effective when contrasted with the eclectic art and antiques collection. The rest of the floors are smoked black ash in a herringbone pattern that are richer and more intimate for the informal living spaces and the bedrooms. We also used glass guardrails and etched-glass doors throughout to continue the themes of openness and light.


Q: Were there specific art objects that helped guide the design?

A: While the space needed to house a large art and antiques collection, it was designed as a flexible display space. Horst loved to tinker with the placement of different pieces throughout the space, so we reinforced all the walls to hang art and designed the light to be easily reconfigured to highlight different paintings and objects.


Q: Now that it’s finished, is there anything you’d do differently?

A: It’s hard to say, since the space was designed around the needs and wishes of the clients. If I were living there, I might add another bedroom suite, which could certainly be accommodated within the current space.


Q: Was the abundance of space a help or a hindrance?

A: It’s wonderful to have enough space that not every inch of it needs to be planned or furnished. There is a real sense of openness that comes with the ability to move around furniture freely and have enough space for guests to meander during an event. This open space is also ideal for sculpture or other art objects that want to be seen in the round.

Notable features

• 12,000 square feet on two levels.

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