Actor, singer and dancer Rob Laqui takes a serious approach to playing an equine hind in "War Horse”

  • Article by: ROHAN PRESTON , Star Tribune
  • Updated: June 7, 2013 - 3:37 PM

A Twin Cities-bred actor who helps animate the horse in “War Horse” is happily surprised by his career trajectory.


Andrew Veenstra, Christopher Mai, Derek Stratton and Rob Laqui keep “War Horse” moving.

Photo: Hennepin Theatre Trust,

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Twin Cities-bred actor, dancer and singer Rob Laqui is careful when he answers the question of what role he plays in the Broadway tour of “War Horse.” He doesn’t want to be the butt of any jokes — or terrible puns.

“I’m a puppeteer — that’s the best way to describe what I do,” he said in a recent phone interview.

Laqui is part of a three-man team that animates the title horse in the five-time Tony-winning show that opens Wednesday at the Orpheum Theatre in Minneapolis. He plays the equine’s hind end in this work about a horse caught between warring sides on a World War I battlefield.

It’s Laqui’s biggest part in a career that has included international tours with Momix dance company and La MaMa experimental theater company.

“I hope my family and friends will be able to come see me,” Laqui said.

Well, they may not see much more than his feet onstage. And even then, they are not supposed to think of Laqui as a person. If he and his colleagues do their job right, audience members should only be thinking of the whole horse.

Joey, the title horse, has three parts, Laqui explained.

The actor who manipulates the Head is outside of the puppet. The actor who plays the Heart is in the front part inside the puppet and manipulates the two front legs. And the Hind (Laqui) controls the two back legs and the tail.

Laqui’s team, which also plays Topthorn, the other adult horse in the show, includes former Alvin Ailey dancer Christopher Mai as Head and Harlan Bengel, from the Broadway production, as Heart. All three have some dance in their backgrounds, which helps with communication.

“We move as one organism, so we have to signal to each other what our intentions are,” Laqui said.

They do that verbally through the equine vocalizations (the actors are miked). They also communicate nonverbally, including through movement patterns and weight shifts.

“Because we are trapped in the puppet together, we can feel things rippling down the cage.”

Catching the theater bug

How Laqui, 34, got to be what he is onstage is a story that runs from St. Louis Park, where he was born to Filipino-American parents, to Edina, where he grew up. He graduated from St. Thomas Academy in Mendota Heights. In fact, he credits director Wendy Short Hayes of Vista Productions, which is the joint theater department of both St. Thomas Academy and Visitation School and Convent, with infecting him with the stage bug.

“I’m so thrilled for Rob, I can’t stand it,” said Hayes, who recalled being impressed by Laqui’s “beautiful tenor voice and wonderful comedic timing” for school productions of “Fiddler on the Roof” and “Into the Woods.”

Laqui attended St. Mary’s University in Winona, Minn., then transferred to New York University to complete his senior year through a sister-school program.

All the while, he thought that his destiny was in musical theater.

“I was so certain I’d be a song-and-dance man that that’s all I could see for myself,” he said. “But an actor has to be ready for anything.”

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    What: Adapted from Michael Morpurgo’s book by Nick Stafford. Directed by Bijan Sheibani based on the original Tony Award-winning direction by Marianne Elliott and Tom Morris.

    When: 7:30 p.m. Wed., 2 & 7:30 p.m. Thu., 8 p.m. Fri., 2 & 8 p.m. Sat., 1 & 6:30 p.m. Sun. Ends June 23.

    Where: Orpheum Theatre, 910 Hennepin Av. S., Mpls.

    Tickets: $39-$125. 1-800-982-2787 or

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