Every Sunday afternoon in the days before television, after Sunday school and an endless hour of church — an hour and a half on communion Sundays — and after Sunday dinner with my extended family, listening to the grown-ups talk, I'd head for the Rio Theater on the main street of Wall Lake, Iowa, a dime for admission and another dime for popcorn in my pocket, a cousin or two at my side.
For the next two hours, we'd enter the worlds of Bugs and Daffy, the Three Stooges, cowboys and Indians and pirates and explorers, aliens, giant robots, the chaos of the battlefield, the cavalry charging to the rescue. When "The End" inevitably came, my cousins and I would emerge into the light of common day, to bemuse and annoy our elders with cries of "Nyuk Nyuk Nyuk!" and "Klaatu barada nikto" and "It's quiet. Too quiet."
For the rest of the week, when we weren't playing sandlot baseball or football, we'd be battling the Germans, or fighting the Indians or the cavalry, or exploring the unknown territories of alleys and backyards, our settings and story lines inspired by the Sunday matinees. The movies presented to our imaginations an excitement and danger and chaotic madcap humor that were absent — blessedly absent, as I now know — from our boring everyday lives.
Then came television, with much of the same fantasy and adventure and drama that the movies had. Yet, there was a difference.
With television, the fantasy never ended. Television gave us no time to think about what we had seen, to work it into our ordinary lives, to act it out, because we were still seeing it. In most houses, the television set was turned on from sign-on in the morning to sign-off at night, and in the time formerly spent having imaginary adventures, most of my friends were watching television.
Pauline Kael, longtime New Yorker movie critic of the 1970s and '80s, accounted for the greater imaginative value of the movies over television by saying that, with television, the magic never stops, while with the movies, from which we return to our everyday lives, the remembered magic becomes a kind of subtext to the ordinary, making the ordinary lively and engaging.
The movies give us time to work the magic into our everyday lives. With television, as Kael remarked, the magic never stops, and thus stops being magic.
Nonstop television is only one of many latter-day encroachments on the quiet contemplation, or, especially with children, the active imaginative play that we need to understand and enrich and integrate our lives. Before the dawn of this too-much-information age, daily newspapers, weekly news magazines like Time and Newsweek, even the daily hour of national and local television news had boundaries, end points, and allowed us time to digest and interpret and discuss the events of the day, to relate what was happening in the world to our knowledge and experience in a way that the constant flow of information from CNN and Fox and MSNBC does not allow us to do. We have too much information, too little time to understand it.