A French kiss from Phoenix at Fetus in-store

The "Lisztomania" hitmakers played a charming five-song acoustic set.

September 22, 2009 at 8:09PM
(The Minnesota Star Tribune)
(The Minnesota Star Tribune)

By Chris Riemenschneider

French dance-pop charmers Phoenix -- they of "Lisztomania" and "1901" fame (and not to mention, singer Thomas Mars' long relationship with Sofia Coppola) -- got up early to play a five-song acoustic set and meet with 200 fans at the Electric Fetus in Minneapolis today, just after noon.

"This is kind of the middle of the night for us," Mars quipped to the crowd after opening with "Lisztomania." From there, they played (in order) "Long Distance Call," "One Time Too Many," the Air collaboration "Playground Love" and "1901." The guitars were all acoustic, the keyboard sounded toy-like, and the latter three tunes were accompanied by a wee little drum machine, which Mars said "is sort of how we write songs." It was a quick, wistful, light and just plum cute set, probably a sharp alternative to the electrifying set fans can expect tonight at First Ave (based on their previous, sweat-soaked show at the Varsity in June, still one of my favorites of the year).

I heard some attendees waiting in line complaining they didn't have tickets for tonight (sold out) but were holding out for extras outside. Good luck. Mars couldn't have sounded more enthusiastic about the show: "We've been waiting to play First Avenue our entire lives," he said. Aw, those French are smooth talkers, aren't they?

Also, for those who do have tickets, tonight's opener is Chairlift, a Brooklyn synth-pop trio who will be a quartet on tour this fall with the addition of the Animal Collective collaborator John Maus on keyboards. They've already toured with Peter, Bjorn & John and Yacht this year.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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