Movies opening friday
Dallas Buyers Club (R) A Texas man (Matthew McConaughey) battles the medical and pharmaceutical community after he's diagnosed with HIV. With Jared Leto and Jennifer Garner.
Diana (PG-13) Naomi Watts is the late princess in a film that focuses on her last years.
How I Live Now (R) An American girl (Saoirse Ronan) on vacation in England finds herself in hiding and fighting for her survival as the third world war breaks out.
Let the Fire Burn (not rated) A documentary about the fiery destruction by police of a Philadelphia block in 1985.
Thor: The Dark World (PG-13) Thor (Chris Hemsworth) embarks on his most perilous and personal journey yet. With Tom Hiddleston and Natalie Portman.
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World
Repatriated South African apartheid-era artworks on display to celebrate 30 years of democracy
A selection of South African artworks produced during the country's apartheid era which ended up in foreign art collections is on display in Johannesburg to mark 30 years since the country's transition to democracy in 1994.
World
'There's Still Tomorrow' director Paola Cortellesi talks success, toxic relationships and hope
Actor Paola Cortellesi has long been a staple on the Italian pop culture scene, mostly known for her work as a comedian. Then she turned to directing and her first feature movie, ''There's Still Tomorrow,'' took Italy by storm.
Nation
A look at past and future cases Harvey Weinstein has faced as his New York conviction is thrown out
Harvey Weinstein's landmark New York sexual assault conviction was thrown out by an appeals court Thursday, and most of the dozens of civil cases filed against him since he became a central target in the #MeToo movement in 2017 have either been settled or dismissed.
World
Ukrainian duo heads to the Eurovision Song Contest with a message: We're still here
Even amid war, Ukraine finds time for the glittery, pop-filled Eurovision Song Contest. Perhaps now even more than ever.
Business
Journalists critical of their own companies cause headaches for news organizations
This spring, NBC News, The New York Times and National Public Radio have each dealt with turmoil for essentially the same reason: journalists taking the critical gaze they deploy to cover the world and turning it inward at their own employers.