You could count on a couple of fingers the number of bands that might weigh the question: "Which rock opera should we do?"
The Who not only banged out two of them, but anyone compiling a list of the Greatest Rock Operas of All Time would be hard-pressed not to have in the Top 10 both "Tommy" and "Quadrophenia," the focus of the current Who tour, which stops at Target Center Tuesday.
"Quadrophenia" was released 39 years ago, so there is no anniversary associated, and it hasn't been in storage that long, as it was the centerpiece of the band's 1996-97 tour.
Why "Quadrophenia" now? "We've been trying to find something we can do together, Roger and I," Pete Townshend said in a teleconference with the band's only other surviving member, singer Roger Daltrey. "We've gone off on slightly different directions; Roger's been working with a new band; I've been developing new music and writing a book about my life ["Who I Am," published this fall].
"We've really struggled to find something to do this time. We've been anxious to work together -- before we drop dead."
The 'other' rock opera
If "Tommy," released in 1969, wasn't the first rock opera -- the dubious honor is often given to a '60s British band called Nirvana -- it was at least the first one billed that way.
The Who toured "Tommy" hard in 1969-70 and Townshend immediately got to work on a second rock opera, "Lifehouse," a sci-fi story of a dystopia saved by music. Much to his dismay, the other members didn't like the concept, so those ideas were funneled into the 1971 album "Who's Next."