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Film has always traded in fantasy. But it also has the power to shape how places are branded and remembered. Minnesota, despite its sweeping beauty, range of landscapes and abundance of scenic water, remains largely absent from the global imagination.
That is a missed opportunity. Our state is a blank canvas for filmmakers, especially up North, where the gorgeous vistas we often take for granted have yet to appear in movies.
“We are untouched,” said Shari Marshik, director of the Upper Minnesota Film Office (UMFO) in Duluth. “We’re like one of those beaches that nobody has ever walked on.”
You might watch movies at the local cineplex, in your home or on your phone, but no matter where you are, movies and television transport us to another world, one we’re willing to pay to see.
That means that film is also big business. Movies and TV account for 2.3 million jobs in the U.S., according to the Motion Picture Association. This work generates $229 billion in wages, and more than $21 billion paid to other businesses for goods and services. Earlier this month, Netflix bid over $82 billion to acquire Warner Bros. Discovery Studios and HBO, roughly akin to the market capitalization of General Motors and U.S. Steel combined. The high stakes Hollywood drama further escalated days later, when Paramount launched a hostile takeover bid offering $108 billion for the entire Warner Bros. company.
Here in Minnesota, a much smaller industry is growing, thanks to the Minnesota Film Production Tax Credit and other regional incentives. The state program rebates 25% of the cost of a qualified TV or film production, with most of that money going back into the local economy.