
Above: Haegue Yang, Sonic Intermediates – Triad Walker Trinity, 2020. Courtesy kurimanzutto, Mexico City / New York. Photo by Nick Ash.
The Walker Art Center hosted its first two Instagram Live conversations Saturday on what was supposed to be opening day of the big spring exhibition "The Paradox of Stillness." Curator Vincenzo de Bellis spoke with Poland-based Paulina Olowska and Berlin/Seoul-based Haegue Yang, two of the 65 artists in the exhibition. The actual, physical exhibition is postponed to spring 2021.

At 2 p.m. Minneapolis time, nearly 100 people following on Instagram Live saw shelves of books behind him. As artist Paulina Olowska appeared on the screen, it split into two rectangular frames. She greeted audiences with a wolf mask, then pushed it away from her face and said hi. It was already 9 p.m. at her studio in rural Poland.
"It's a tiny celebration," said de Bellis, as he gazed into the phone camera at Olowska. A steady stream of emojis and heartfelt messages scrolled across the screen.
She planned to use the wolf mask for the wearable letter "W" sculpture as part of her piece "Sketches for Grotesque Alphabet (after Roland Topor)," which re-imagined the French cartoonist's "Alice in Wonderland"-style alphabet. Each letter is made of a person's body and head.
The novelty of Instagram Live waned after some technical difficulties, but the irony of the show's first title, "Still Alive," also became a topic of conversation.
"We have to acknowledge that a lot of people are not alive anymore," said de Bellis. "Over 2 million people affected ... it's something to be reminded of ourselves, that we are alive."
Four hours later, de Bellis hopped back on Instagram Live to talk with artist Haegue Yang, who was in Seoul.