Minnesota State Fair artists feature prominently in the upcoming “State Fairs: Growing American Craft,” at the Smithsonian’s Renwick Gallery in Washington, D.C.
The free exhibit, which opens on Aug. 22 and runs through Sept. 7, 2026, will represent the first significant exploration of how American state fairs have cultivated an abundance of arts and crafts.
The exhibit’s Mankato-raised craft curator Mary Savig picked some of the crème de la crème — and the crop de la crop — of Minnesota State Fair artists for inclusion. Among the highlighted works are a pointillist-esque portrait of President Richard Nixon by the late “Seed Queen” Lillian Colton and a butter-carton dress made and worn by the 1965 Princess Kay of the Milky Way.
Savig’s selection of the Iowa State Fair’s head butter sculptor to carve one of her iconic, life-size bovines for the exhibit has churned controversy. “I do hope Minnesotans forgive me and give the butter cow a chance,” Savig said.
Fair history
Savig created the national exhibition to cast an overdue spotlight on underrecognized artists whose work broadens the picture of American arts and crafts.
“State fairs really have been these amazing platforms for artists to show us their skills and their creative ideas,” she said, noting that they feature many artists who wouldn’t typically show their work at an art gallery or museum. (Minnesota didn’t even have an art museum when it held its first state fair, in 1859, the year after it was granted statehood.)
A lot of early fair crafters came from rural areas, and their skills in handwoven rugs or needlework, among other domestic activities, had been passed down from one generation to the next.
“The fairs were the outlet, especially for women, to be recognized and honored for their work,” Savig said.