When you weren't really paying attention this weekend, or conversely you were able to lose yourself in the moment, the Twins' season-opening series win over the White Sox felt close to normal.
With the game on in the background and the white noise of a crowd providing a familiar hum — while keeping one eye on proceedings while working on other things — things felt familiar.
When Jake Cave hit a long fly ball to left on Sunday, barely clearing the wall, I felt a good 30 seconds of genuine baseball reflection: The difference between four runs from a grand slam and zero runs on a long fly ball out was a mere matter of inches. Baseball is wonderful in that way.
But the mundane moments of being present, at least to me, felt as jarring as the other moments were soothing. The strange cardboard cutouts behind home plate and in the stands: a constant reminder of an empty stadium, and therefore a reminder of why the stadium was empty. You know, the global health pandemic causing death, sickness, economic devastation and, way down on that list, disruption of our sporting norms.
The times I caught myself remembering that the noise I was hearing wasn't real. Or at least it wasn't coming from fans inside the ballpark. It was pre-recorded, piped in, meant to provide a sense of normalcy to players and a TV audience – but only achieving that goal if we don't think too hard.
Everything with a soft focus.
I tried the radio for a couple innings, and that seemed to be the most normal of all – until a hitter sprayed a foul ball into the stands, and Dan Gladden instinctively referred to it as a souvenir.
For whom? Twins PR guru Dustin Morse, who is on a quest to recover all the home run balls that normally would have been snagged by fans (a fun bit of levity, but also a reminder of what we've lost)?