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The spirit of Christmas Past

Certain things long ago drilled into our memories have a way of returning, with all their associations.

December 23, 2022 at 11:05PM
The legend of “Rudolph the Red-Nosed Reindeer” has long had a way of drilling into our memories. For commentary writer Don Anderson, it was the 1949 Gene Autry song. This image is of a puppet used in the 1964 stop-motion animation television special. (Associated Press/The Minnesota Star Tribune)
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Funny how fast the years run away. And funny how this time of year brings that to mind. Maybe it's the short days that flash by, or the long, dark nights, that lend themselves to remembering.

I was at the dentist's office a few days ago, sitting in one of those high-tech chairs that remind me of an astronaut's seat on a shuttle. I was waiting for the work to start, locked in with a tray in front of me and a chain around my neck — attached to a bib.

As I waited, the sound system started playing the old Gene Autry recording of "Rudolph the Red-Nosed Reindeer."

I don't know how these things happen, but suddenly that dentist's chair became a time machine, and I was returned to "those thrilling days of yesteryear."

In a flash I was sitting on the living room floor in front of an old RCA Victor console model radio/phonograph at my home on Ninth Avenue. A stack of hard, black 78 RPM records sat in front of me, and though I was only half-aware of them, siblings were around me.

Gene Autry's song was playing. Rudolph, the "most famous reindeer of all," had only recently in those days become a thing. We were all excited about this new Christmas legend.

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So naturally, we had all learned the words and were chirping along with the song as it crackled to a climax with the help of a well-worn phonograph needle ("… You'll go down in his-to-ry").

I could feel the short nap of the old living room carpet. I could see in the window the circular red cellophane wreath with its red cardboard candle and painted red bulb glowing through the Venetian blinds. The wreath was best seen from inside the house as it was partially obscured from the outside by a layer of frost on the storm window.

The worn green sofa sat in the living room just below the wreath and right next to the radio. A few steps toward the kitchen in the dining room sat a card table on the linoleum floor. On the table sat a half-completed jig-saw puzzle.

From the kitchen door the warm aroma of sugar cookies baking wafted out and overcame the smell of pipe smoke coming from somewhere else in the house. Those two scents mingled with a winter whiff of the coal furnace emanating from the hot-air registers with their shutters full open against the frigid air outside.

A palpable excitement stirred inside all of us — one that will never come just that way again.

The lighting wasn't strong, but adequate, and it somehow lent itself to the feeling of warmth and security — as if a bright, clear light might in some way bring to the fore things which are held back, things held together more by dimness and spirit, belief and myth, and shattered by too much clarity and examination.

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Secrets were safe in that half-lit scene, and what was really there, and what might come in future years, was held at bay by little hearts secure in the knowledge that they were special, and all was wondrous, and holy, and magic.

Then the dentist said, "Open wide, Don."

Don Anderson lives in Minneapolis.

about the writer

about the writer

Don Anderson

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