Twin Cities architects Barry Petit and Maureen Steele Bellows came out of the recession wondering how to launch a new architecture firm in a market dominated by design-build firms.
"The 2008 crash seemed to be in the rearview mirror," said Petit. "But it was clear that we could not compete against the well-established custom builders."
The couple, after writing a design book, searched for an unfilled niche that would make the best use of their skills and set them apart.
Earlier, Bellows spent five years working for a single client who commissioned her to design three homes in Hawaii, Colorado and northern Minnesota. Petit worked for Meyer Scherer and Rockcastle Architects (now called MSR Architecture, Interiors, and Urban Design), a top-shelf firm that counted the Daytons, Pillsburys and MacMillans among its clients.
"These folks were genuinely more compelled by the process than the actual outcome," he said. "One became spoiled with their passion for design and the passion for exploration."
Frustrated by the sameness of the many-gabled stock designs that seem to dominate the suburban landscape, the couple decided to test an idea: They'd create a portfolio of designs based on the simple lines and shapes of the barns, farm houses and other rural buildings that dot the Minnesota countryside.
"After several days of pinning words on the wall, staring, arguing and rolling eyes, we settled on Vernacular Revival," Petit said. "It was perfect because the 'vernacular' spoke to the notion of a local language — in this case our regional agrarian aesthetic — while 'revival' suggested a rediscovery of the past."
And instead of trying to sell their services directly to consumers, they decided to focus on selling their designs to the big companies that build the bulk of the houses in the Twin Cities metro area. By sidestepping buyers, they're positioning themselves as what the couple call "invisible architects."