'Then it's gone forever:' AP photographers race to capture fleeting Tour de France scenes

It almost looks more like surrealism than photojournalism.

A cyclist in a teardrop-shaped helmet and skin-tight racing suit hunches over his aerodynamic handlebars in the middle of a Burgundy vineyard with no road in sight. The rider is framed between a flag-waving woman and man facing in the opposite direction he's going.

The image snapped by Associated Press photographer Jerome Delay in the fraction of a second is not so much an art photo as an artfully composed frame of professional cyclist Primoz Roglic going full speed in the Tour de France.

Shooting the three-week race that ends July 21 is as much about getting stage winners crossing the line with arms raised in victory as finding a unique angle that captures the scenic and quirky side of one of the world's most epic competitions.

The race is a grueling contest that covers around 3,500 kilometers (2,175 miles) over 21 days and climbs a total elevation of around 52,000 meters (57,000 yards), the equivalent of riding up Mount Everest nearly six times.

It's also an endurance contest for the photographers who cover it. Long days are spent snapping photos from the back of a motorcycle, or speeding ahead to find an ideal vantage point and then racing to catch up with the riders or zipping down winding mountain passes at high speed.

''It takes everything out of you,'' said Daniel Cole, who is shooting the event for AP with Delay. ''It's really intense physically, mentally, creatively. ... It's an absolute marathon to cover this.''

Cole raced in college and Delay boasts of owning six bicycles. If they weren't taking part as journalists, they'd be watching it. For Delay, who grew up in France and has never been so close to it in his 64 years, it's a dream assignment.

''It's stunning," he said. "I'm a kid in a candy store.''

To get his photo in the vineyard, Delay scouted the route several times in advance of the time trial, a short stage where each rider starts at intervals in a race against the clock.

Delay planted himself in a gap between the grape trellises where fans were scattered along the road and then "waited and waited and waited.'' The vines blocked his view up the road, so he had to judge riders' arrival by the smattering of cheers and then he had a mere moment to get the shot as they sped past at about 50 kph (30 mph) .

The main event is the race for the maillot jeune, the yellow jersey worn by the leader with the fastest time overall, but the spectacular French — and, in four stages this year, Italian — landscape can steal the show.

Cole, shooting his fourth tour, likens it to taking a road trip through France that's half sports story and half a feature.

Just as the tour passes in the blink of an eye, photo opportunities can vanish as quickly they appear. One of the rules of the road for a motorcycle rider transporting photographers is that you cannot turn back. Scouting for vantage points at 80 kph (50 mph) can become an exercise in frustration as you realize you've just shot past a good place to make a photo.

''Once you see something it's almost too late to stop,'' Cole said. ''You start accumulating these failures one by one. You play this game where you try to get over the things you missed.''

Beyond the sweeping views, there are the small details, quiet moments in the race and vignettes that capture how the sport is interwoven in the culture of the country it circles every July.

There's the lone breakaway rider seemingly levitating above a field of wheat. There's former winner Geraint Thomas and teammates huddled under an umbrella before a rainy race start. There's a man dressed as a monk waving a French flag who symbolizes the obsessive fans who arrive early to picnic and sip wine as they wait hours for the race to quickly pass by.

Cole talked himself into homes lining the route, where the owners with front-row seats stood in open doorways to glimpse the rolling spectacle. In a garage, a family had abandoned a table of food to cheer the riders, close enough to feel the breeze and hear the buzz of the passing peloton.

When they returned to the table, the tour was gone and so was Cole. He was on the motorbike, dashing ahead to catch the riders and find his next shot.

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