Just the wisp of curiosity can send us tumbling down the twisting rabbit hole of history. Take, for example, retired Plymouth high-tech engineer Bob Svacina.
Svacina, 72, has become an expert on Daniel Chester French, the sculptor who designed the massive marble Abe sitting in the Lincoln Memorial in Washington, D.C., as well as the golden four-horse chariot known as the “Quadriga” at the base of the State Capitol dome.
One day last year, Svacina headed to the University of Minnesota’s East Bank campus to photograph French’s statue of John Sargent Pillsbury, Minnesota’s eighth governor and an important U benefactor, that sits across from Burton Hall.
Built in 1894 and faced with Greek columns, Burton Hall was one of the U’s first libraries and said to be the first building on campus not built with wood, to protect the books from fire.
“It is beautiful and I wondered what the inside looked like,” said Svacina, who entered Burton Hall, climbed some stairs, turned around and was struck by a large painting of a smoking warship. He knew the painting was special, he said, and starting taking pictures of it. A plaque identified the painter: James Kay, a distinguished Scottish artist who likely finished the painting around 1900.
Svacina grew obsessed — and worried — about the work of art.
“The painting is deteriorating,” he said. “Every time people come in or exit, the doors open to the Minnesota environment and the painting is just a few feet away.”
After noting the ship’s structure and counting three decks and 104 guns in his photos, Svacina determined the painting depicts the British battleship HMS Victory at the Battle of Trafalgar, a turning point that blunted Napoleon Bonaparte’s quest to conquer Europe. In the 1805 battle, considered one of history’s great naval clashes, British Admiral Horatio Nelson was killed by a sharpshooter; he later was memorialized with a monument in London’s Trafalgar Square.