To create memorable impact for your readers, end your sentences with impact.
The great crime novelist Raymond Chandler challenged the notion of critics that he wrote mysteries; he confessed that he was "not much on plot." Instead, he said, he focused on character, scene and dialogue.
A master stylist, Chandler insisted on the importance of ending a sentence with impact.
He complained to a friend about the change an editor had made in one sentence.
Chandler's sentence ended, " … and not too critically examine the artistic result."
The editor changed it to, " … and not examine the artistic result too critically."
Chandler objected to the editor's assumption that he "knows more (than the author) about phrase and cadence and the placing of words, and that he actually thinks that a clause with a strong (stressed) syllable at the end, which was put there because it was strong, is improved by changing the order so that the clause ends in a weak adverbial termination."
In other words, a weak ending to a sentence resembles the clunk-clunk-clunk of a train's derailed caboose.