Opinion editor’s note: Strib Voices publishes a mix of guest commentaries online and in print each day. To contribute, click here.
•••
One of the most beloved holiday specials ever made doesn’t start with costumed pageants, joyful carols or snowmen come to life, but with a self-aware declaration of seasonal depression.
“I think there must be something wrong with me, Linus,” says Charlie Brown, shuffling through the snow as other kids frolic to a song about the holiday’s happiness and cheer. “Christmas is coming, but I’m not happy. I don’t feel the way I’m supposed to feel.”
Sixty years ago, on Dec. 9, 1965, TV audiences were introduced to a downtrodden blockhead and his quest to find joy and understand the true meaning of Christmas — made more difficult when he doesn’t get any Christmas cards, the other children can’t be bothered to listen to his instructions for the Christmas play Lucy appoints him to direct, and his own dog enters a commercialized decorating contest to win “money, money, money.”
Charlie Brown is anxious and depressed during the rest of the year, so understandably, it gets heavier during the holidays. (“I know nobody likes me. Why do we need a holiday season to emphasize it?” he laments.) The same is true for the rest of us. The collective grief a lot of us feel, whether it’s our anxiety about the future or simply missing a world that once felt a bit kinder, is heightened when everyone else wants to slap a red and green bow on it.
We now have more modern examples of holiday gloom — “Home Alone” or “The Holdovers,” “The Family Stone,” “Last Christmas,” Joni Mitchell’s “River,” and plenty of other reminders in essays and antidepressant advertisements that Christmastime can be hard. But “A Charlie Brown Christmas” is maybe the most uncomplicated, most sincere and most direct. It offers us all the unadorned language we need to say, “You know what, I feel pretty bad this year, and that’s not the way I’m supposed to feel.”
Even the most holiday-inclined have felt this pang at some point. My dad, Joe, who was born in 1968 and grew up with “A Charlie Brown Christmas” just as we all did, with annual airings and Vince Guaraldi’s jazz soundtrack playing on a loop, put it simply to me once. In 2018, on a drive to meet family the night before Thanksgiving, I put the album on, to which my dad remarked that it always gave him a feeling, but one he couldn’t name. My suggestion of “melancholy” didn’t quite fit.