Minnesotans recall Malcolm-Jamal Warner of ‘Cosby Show’ fame as ‘real’ and ‘brilliant’

The actor, who headlined Minnesota Orchestra’s first Juneteenth concert in 2023, died Sunday.

The Minnesota Star Tribune
July 22, 2025 at 1:46PM
Malcolm-Jamal Warner performs his own poem "Art in Motion" as the centerpiece of Minnesota Orchestra's first Juneteenth concert in 2023. (Courtney Perry)

Malcolm-Jamal Warner, “The Cosby Show” actor, poet and musician who died Sunday in an accidental drowning on the Caribbean coast of Costa Rica, headlined Minnesota Orchestra’s first Juneteenth concert in 2023.

The Emmy nominee and Grammy winner was 54.

Warner played son Theo Huxtable on “Cosby” from 1984-92, growing up before Americans’ eyes and earning an Emmy nod for supporting actor in a comedy in 1986. He won a Grammy in 2015 for traditional R&B for “Jesus Children,” a collaboration with Robert Glasper Experiment and Lalah Hathaway that was about the Sandy Hook Elementary School children who were killed in a shooting.

Born in Jersey City, N.J., and named after Malcolm X and jazz pianist Ahmad Jamal, Warner was nominated in 2023 for a spoken word Grammy for his album “Hiding in Plain View.”

For the Juneteenth concert, Warner shared an original poem, “Art in Motion,” which was packed with dense rhymes and ingenious wordplay.

“We wear this oppressive air with such an impressive flair, only the few astute truly fascinated by the truth dare view our struggle to survive as art in motion,” he read. “For we are abstract, admired for how we create culture from scratch with scraps.”

Warner’s performance was the centerpiece of the concert conducted by André Raphel and featuring William Grant Still’s “Afro-American Symphony.”

Grant Meachum, who programmed the show, said that Warner’s headlining presence “lifted an already great evening into one of my most memorable concerts at Orchestra Hall.”

The Juneteenth concert also featured a selection of songs by Jevetta Steele.

“He was so generous and so real,” Steele said. “We all grew up with him on television, so you have a sense of who he is, but he was so much more.”

After the performance, Warner hung around at a corner of the stage for an hour or so, indulging fans and friends with selfies and entertaining their questions.

Steele said that she was surprised that Warner was both “serious and funny” at the same time.

“He got up onstage and did this powerful, amazing tribute to the resilience of African Americans, but then he came off and was cracking all kinds of jokes.”

Meachum spent the longest amount of time with Warner, who was accompanied by his wife and daughter.

“He was here for just 36 hours and had to leave at 3 a.m. for a wedding,” Meachum said, adding that the visit set the ambition not only for that program but also left an indelible personal impression. “We talked backstage about marriage, since we were both coming up on 20 years. He was just such a warm, brilliant man.”

Meachum’s last moments with Warner still echo.

“As we walked back to the hotel, he stopped and gave me a hug,” Meachum said. “It was a short time together but I felt a real connection. And he said, ‘I hope to work with you again.’”

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about the writer

Rohan Preston

Critic / Reporter

Rohan Preston covers theater for the Minnesota Star Tribune.

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