The definition of fungible: able to be replaced by another identical item; mutually interchangeable. Exchangeable or replaceable for another of like kind.
This week Minnesota Orchestra CEO Michael Henson told the New York Times: "When we get up and running again … I'm sure we will get an astonishing bunch of individuals who will want to perform and live in this great city."
In other words, our great musicians and Osmo Vänskä are fungible — easily exchangeable.
We've lost Burt Hara, his eloquent haunting melodies and galvanizing leadership of our woodwinds. Not fungible.
We've lost Gina DiBello, her elegant silky sound and relaxed leadership of the second violins. Not fungible.
We've lost Stephanie Arado, her vibrant and compelling leadership in the first violins. Not fungible.
That's just the beginning of the list of beautiful artists already lost to the signature sound of the Minnesota Orchestra. Each contributed something unique to the fabric of sound that defined our orchestra.
Yes, each can be replaced, but each replacement alters the sonic chemistry. And you could also rip out parts of a Monet or a Picasso masterpiece and graft onto that canvas a lesser artist's work. That might be called artistic vandalism.