When his weekly song circle group performed at the Renee Good shooting site Jan. 13 in Minneapolis, Timothy Frantzich got a new lesson on the old folk tunes he had been playing for most of his 62 years.
The veteran Twin Cities folk singer and teacher was especially enlightened when his group of about 40 people more than doubled in size when neighbors and others joined in.
“I realized why there was all that harmony in ’60s music,” said Frantzich. “It’s there for a reason. It brings people together.”
Frantzich is one of many musicians and singers who’ve come together over the past week at Good’s memorial site in Minneapolis and other locations where ICE agents and protests have been active.
Though from many different backgrounds, these street performers share a love for music and a desire to raise their voices — or blow their horns — against Good’s killing and ICE’s tactics in Minnesota. Many of them believe there’s nothing more useful in keeping protests peaceful than music.
“Music just helps people access their feelings,” said Daniel Goldschmidt, a music therapist by day who’s been out several nights this month performing at protest sites with the second line-style street troupe Brass Solidarity.
“Especially when there’s so much going on that it’s hard to know what to feel, music helps us sort it out.”
Brass Solidarity’s core lineup of a dozen or so members has almost tripled in size at some of its street performances; they invite anyone with a horn to play along.