Minneapolis singer Margaret Cox retires after 38 years with Dr. Mambo’s Combo

She also worked with Prince and Jesse Johnson and scored the R&B hit “Everybody Dance.”

The Minnesota Star Tribune
August 14, 2025 at 8:45PM
Margaret Cox performs with Dr. Mambo's Combo at Bunker's in Minneapolis in 2017. (Carlos Gonzalez/The Minnesota Star Tribune)

Without any fanfare or a farewell, veteran Twin Cities singer Margaret Cox has retired from Dr. Mambo’s Combo after 38 years.

The band has played weekly shows at Bunker’s in Minneapolis’ North Loop since 1987, becoming a beloved institution embraced by countless music fans, including Prince.

“Margaret Cox is a once in a lifetime talent. I’ve had the pleasure of singing with her for 34 years,” Mambo’s Combo leader Julius Collins said in a statement announcing her retirement. “She’s a marvel ... and always will be with me.”

Cox is a versatile, powerhouse singer, who relished the R&B repertoire of Chaka Khan and Aretha Franklin but could belt rock hits as well. She is the rare local musician who never had a day job.

Having started singing at Minneapolis clubs as a teenager, Cox went from recording on the final Lipps, Inc. album in 1983 to scoring a national R&B hit leading Ta Mara & the Seen in 1985 to fronting a Prince-produced project MC Flash, that was never officially released.

Born in Morocco, Cox moved to Minneapolis at age 7 and made her Twin Cities nightclub debut in ninth grade, singing at Bootlegger Sam’s in Dinkytown (where she lived and attended Marshall-University High School).

She graduated to other local bands, including Raggs, the Doug Maynard Band, the TC Jammers, the Peterson-Cox Band (with Patty Peterson), Rupert’s Orchestra and, in 1987, Dr. Mambo’s Combo.

She was “a star for a minute” (her words) with the Jesse Johnson-produced Ta Mara & the Seen, scoring a No. 3 R&B hit with “Everybody Dance,” though she said she didn’t see royalties — just a salary and $10,000 when she signed with A&M Records, she told the Star Tribune in 2003.

With Johnson, she co-wrote a tune, “I Need You,” that ended up on Paula Abdul’s blockbuster 1988 album “Forever Your Girl,” but Cox said she never got a penny from it.

Starting in 1990, she worked with Prince for a couple of years but remained under contract until ’96 — and didn’t see much in the way of royalties. Her single, “Standing at the Altar,” was included on Prince’s 1994 compilation album “1-800-NEW-FUNK.”

In 2003, Cox released her solo debut, “Margie’s Little Demo.” The liner notes said: “thanks but no thanks to Jesse and Prince.”

There is no word yet if there is a retirement celebration, so Mambo’s Combo fans can say thanks to Cox.

about the writer

about the writer

Jon Bream

Critic / Reporter

Jon Bream has been a music critic at the Star Tribune since 1975, making him the longest tenured pop critic at a U.S. daily newspaper. He has attended more than 8,000 concerts and written four books (on Prince, Led Zeppelin, Neil Diamond and Bob Dylan). Thus far, he has ignored readers’ suggestions that he take a music-appreciation class.

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