To an ethnic Russian who came of age in the twilight of the Soviet Union, nothing feels more absurd than the idea of war between Russia and Ukraine.
Partly, that's personal. In the south of Russia, where I grew up, half of the people I knew had Ukrainian last names. My younger cousin's nickname was "little hen," because "Piven" meant "rooster" in Ukrainian. (Her father's family hailed from northern Ukraine.) As we dove for hermit crabs in the warm Black Sea or played Cossacks and bandits, I never thought of my cousins, whom I called "brother" and "sister," as Ukrainian. They were my family.
We in the south of Russia weren't just physically close to Ukraine — my grandmother was born in the Ukrainian city of Mariupol, just 70 miles away — we were culturally and linguistically intertwined. Ukrainian words ran through our southern dialect, and I can still sing a couple of Ukrainian folk songs. We also shared the same rich black soil: If Ukraine was the breadbasket of the Soviet Union, Kuban, the unofficial name of our region, was the granary of Russia.
Then there's our inextricably interwoven history. Both Russians and Ukrainians are descendants of Slavs, agricultural people wedged between Europe and the steppe. Both have suffered from the Mongol yoke, the czarist yoke and the Bolshevik yoke. After the collapse of the Soviet Union, the countries diverged. Yet the sense of a shared past was so strong that not even the Russian-backed conflict in eastern Ukraine could fully undo it.
Now the relationship between the two nations is at a breaking point. Around 130,000 Russian troops are stationed on the border, and war is a real prospect. Conflict between Ukraine and Russia would travesty centuries of commingling — like me, millions of Russians have Ukrainian relatives and vice versa — and draw to a bloody close the generative entwinement of cultures. It would be, quite simply, a tragedy.
Ukraine was a perennial presence in my childhood and adolescence. Staying with my grandparents in the summer, I would watch movies in the neoclassical white building of the Ukraina cinema in the center of town. At home we often had Ukrainian sirniki, or sweet cheese patties, for breakfast and Ukrainian borscht for dinner. During televised folk-dancing performances, intended to demonstrate unity between Soviet sister republics, I waited for the Ukrainian dancers. The women's colorful flower headdresses and spinning skirts were an embodiment of boldness and flair; I was entranced.
At school, the study of history began with Kyivan Rus, the confederation of Slavic principalities from the ninth to 13th centuries that spanned large parts of modern-day Belarus, Ukraine and European Russia. Kyiv, our textbooks serenely told us, was the "mother of Russian cities." In literature class, we memorized the description of the Dnieper River from "Taras Bulba," a novella by the Ukrainian-born giant of Russian letters, Nikolai Gogol. Later, after a longstanding ban was lifted, I devoured the novels of Mikhail Bulgakov, a native of Kyiv, where the vibrant thread of Ukrainian folklore was palpable. Then there were Ilya Ilf and Yevgeny Petrov, authors of the quintessential satirical novel, "The Twelve Chairs." Both hailed from Odessa, a port city on the Black Sea, in Ukraine.
Whether Ukraine, the Soviet Union's second-most-populous republic, wanted to be a presence in my adolescence was a different story. Billed as a union of equals, the Soviet Union was really a Russian enterprise. Most Politburo members were Russian, and the Kremlin was in Moscow, from which it ruled the republics in a top-down manner.