If you prize simplicity as a tool to achieve clarity in language, take inspiration in lyrics from the Great American Songbook, with tunes from the 1920s through 1940s by greats like Irving Berlin and Cole Porter and duos like George and Ira Gershwin and Jerome Kern and Oscar Hammerstein.
For almost two years I have had a great time every Wednesday afternoon on Zoom with a dozen or so friends — some old, some new — talking about those lyrics. Our host, Michael Lasser, author of several books on the topic, points out that lyric writers love one-syllable words because they so easily match the beat of the melody, and because they so sparingly express meaning.
Remember the playwright August Wilson's approach to writing: "I just stop trying to sound important. I just say it. The simpler you say it, the more eloquent it is."
That does not mean sticking to one-syllable words; it does mean that, in choosing words, we can create rhythm and music. As Ira Gershwin wrote:
"It's very clear, our love is here to stay.
Not for a year, but ever and a day ...
In time the Rockies may crumble,
Gibraltar may tumble,