MUSIC
Eric Church
In 2021, country’s marathon man released a triple album, “Heart & Soul,” with 24 new songs. So the maverick known for tossing Nashville curveballs surprised fans when his follow-up album, last year’s “Evangeline vs. the Machine,” contained only eight new songs, including the gospel/soul “Darkest Hour” and a haunting cover of Tom Waits’ “Clap Hands.” Well, Church, who is known for his Springsteenian hourslong concerts, is stepping up with “Evangline vs. the Machine Comes Alive,” due on Feb. 13, with 19 selections including the hits “Sinners Like Me” and “Springsteen.” Church’s Free the Machine Tour lands in St. Paul ahead of the live release, with must-see opener Ella Langley, the “Choosin’ Texas” hitmaker who has collected a shelf full of awards for her duet with Riley Green, “You Look Like You Love Me.” (7:30 p.m. Feb. 7, Grand Casino Arena, 199 W. Kellogg Blvd., St. Paul, $117 and up, ticketmaster.com)
JON BREAM
Sudan Archives
Could a violin-bowing singer/rapper performing by herself wind up being one of the most electrifying shows of the year? That seems like a good bet after hearing Cincinnati native Brittney Parks’ third album as Sudan Archives, “The BPM,” which landed on many critics’ year-end lists. The record added dance beats and other electronic elements to her already mad-swirling blend of soul, R&B and rock music, while also serving up emotional tunes inspired by her parents’ Midwest roots. Kentucky-raised Colombian American pop collagist Cain Culto opens. (8 p.m. Feb. 7, Fine Line, 318 1st Av. N., Mpls., resale tickets only, first-avenue.com)
CHRIS RIEMENSCHNEIDER
The Runarounds
A new twist on the old Monkees model, this quintet of young, bright-eyed, all-American boys were real musicians brought together as a band to star in a TV show of the same name by a co-creator of “Outer Banks.” The series has become something of a sleeper hit on Prime Video, with a storyline about them living out their rock ‘n’ roll dreams upon graduating high school in North Carolina. Now, the band is graduating to the road in real life, playing feel-good pop-rock songs variously reminiscent of All-American Rejects and the 1975. (7:30 p.m. Feb. 6, First Avenue, 701 1st Av. N., Mpls., all ages, $59, axs.com)
C.R.
Meshell Ndegeocello
With her genre-defying adventures, the veteran music-maker has challenged herself and her audiences. In 2016, she celebrated James Baldwin’s work with a stage musical in New York City, and eight years later, she adapted it into an album project, “No More Water/The Fire Next Time: The Gospel of James Baldwin,” braiding some of the author’s words with her inimitable blend of funk, folk, jazz, soul and Afrobeat. That album earned a Grammy for best alternative jazz album as did her previous album, 2023’s equally distinctive “The Omnichord Real Book.” While prideful in her artful, iconoclastic ways, Ndegeocello, an in-demand bassist and vocalist, dipped into the commercial side of things early in her career, collaborating with John Mellencamp on the 1993 hit remake of Van Morrison’s “Wild Night.” (7 & 9 p.m. Feb. 9, the Dakota, 1010 Nicollet Mall, Mpls., $58.43 and up, dakotacooks.com)
J.B.