I have a photo of me and Patrick Rix in my bedroom. You can't tell it's either one of us in the picture, but it has been a cherished possession. It's even more cherished now.
It's nighttime in southern Afghanistan. There are cots in the foreground of the picture, enormous otherworldly military vehicles behind them and an eerie glow coming from behind one, known ominously as an MRAP (Mine-Resistant Ambush-Protected). There are thousands of stars in the sky. Rix, who was a sergeant in the Minnesota National Guard, is sleeping on one of the cots, and I'm on another. Star Tribune photographer Rick Sennott shot the picture as we followed Rix's unit, a transportation company out of Duluth, on a mission to deliver supplies to a remote British military base in Helmand Province.
Earlier this month, Patrick Rix was riding with a group of other motorcyclists when he crashed on his bike. He was killed. He was 42. He was one of a number of motorcyclists who died in separate incidents around the state at around the same time, and his name was dutifully among those added in news stories as cautionary tales about riding without a helmet.
Right about now would be the time to put it all in perspective: the adrenalin-loving warrior and the risky behavior of driving fast without a helmet; the misfortune of a soldier who survived firefights and explosions in the dust of Afghanistan only to lose his life on the Dowling Avenue entrance ramp on Interstate 94.
But that seems too easy and not at all appropriate.
In the fall of 2009, my relationship with Sgt. Rix was short but intense. His company was stationed on a Marine base called Camp Leatherneck in southern Afghanistan, and Sennott and I were there to show readers what the Minnesotans were doing. They had already suffered one casualty during this deployment, a young specialist named George Cauley, and this convoy would prove to be eventful and grueling: 146 miles in 52 hours, including an early morning gunfight with insurgents in which Rix, who in civilian life worked for the Duluth public works department, manned the .50-caliber machine gun atop the MRAP. He may or may not have dropped one of the enemy shooters during the fight.
In the story I would write, I described Rix as a multi-tattooed veteran of the Iraq war who was a grab bag of contradictions: a devotee of Chuck Norris who read Nietzsche; a gravelly voiced combination of Tony Soprano and a professional wrestler. With his tattoos, constant cigarette in his mouth and shaved head, Rix was a visual aphrodisiac for Sennott, who couldn't shoot enough pictures of him. One of his favorite songs was a foul-mouthed satirical homage to country-western music.
I'm not sure if Rix had been ordered to watch out for me and Sennott during our time there, but he took on the task nonetheless, a coarse guardian angel. When we went out on the mission, Rix wrote down our blood types, in case there was trouble. Sennott's body armor was a ragtag vest from the Israeli military, hard to wear and harder to put on. I shot a picture of Rix and a bunch of other soldiers trying to cinch Sennott in before we went outside the base.