They say the neon lights are bright on Broadway, but east-facing windows in Woodbury also glow.
As the sun streamed onto the hardwood floor of the 5 Star Dance Studio, a dozen kids -- each shorter than 60 inches, each lighter than 100 pounds -- assumed their places, made their Munchkin feet (heels together, toes out) and practiced how to correctly point down to "where the goblins go, below, below, below. Yo ho, let's open up and sing, and ring the bells out."
Point with the right hand. Point with the left hand. Point with both, "then remember how we ring the bell -- straight elbows, arms next to your ears," said instructor Jena Sandell, staring into the mirrored wall reflecting the local talent in this weekend's production of "The Wizard of Oz" at the Orpheum Theatre. The kids begin again, pointing below, straightening their elbows, pulling their gangly arms right up to their ears.
In its 46-city tour, Broadway Across America always arranges for local dancers to step into the roles of Munchkins, and Winkies, the regimental army of the Wicked Witch of the West (the Yo-Ee-Oh guys). The students from 5 Star Dance Studio were chosen after responding to the call. They don't get paid, but gain stage experience. (Each dancer does earn two tickets to the opening-night show, so Mom and Dad can cheer them on.)
The students have had about three weeks to learn their parts well enough to seamlessly slip into their places when Broadway Across America pulls into Minneapolis on Friday afternoon for the first dress rehearsal with the kids. Opening curtain? Friday night.
"I have jumped out of an airplane without a parachute," Pam Feske remembers thinking when 54 pages of stage directions arrived at the Woodbury dance studio, where she's a co-director. The instructions resemble a football coach's X's and O's -- if the coach favored a pastel palette. Munchkins, Lollipop Guild toughs and Lullaby League ballerinas all have places marked with pink, blue or green symbols.
The directives are explicit: "Lunge right leg on 'la' of the first 'tra la.'"
The message is unequivocal: Hit the mark. Remember, the Tin Man wields an ax.