Beyonce dominating the CMAs stage with the Dixie Chicks in Nashville was in all aspects a breathtaking performance, but more importantly it was iconic for the mere fact that it, if even for a minute, shed light on a major deficit in country music.
Specifically, a deficit of black artists. Not that black country artists don't exist; they just tend to be erased from the genre.
The myth that black people and country music don't mix has seemingly transpired into a feigned reality.
Despite her latest "Lemonade" album featuring "Daddy Lessons," a very country-sounding track, once news broke that Beyoncé would be performing at the CMAs the artist (you can watch the performance below) received a great deal of backlash.
"She's not a country artist!" "She doesn't belong here!" "The CMAs are ruined!" were only a few of the things people cried. Granted, Beyoncé is generally not labeled as a country artist so some of the backlash could have been valid if the criticism was solely focused on that. But people were genuinely adamant about boycotting the CMAs and comparing Queen Bey's performance to a white artist performing at the BET Awards.
We can't ignore the racist undertones of some of those comments — regardless of whether they were intentional.