Photo by BRE McGee
I know, you thought my review was not just scathing but mean.
I expect more from a superstar this far into her career, charging $70 a ticket. Carrie Underwood has improved in one respect: She has added material that reflects a broader range of dynamics, intensity and delivery. But I'm blown away by the fact that her creative team doesn't give her better and more honest advice.
For instance, what was up Thursday at Target Center with the rote, Carrie-okie reading of Aerosmith's "Sweet Emotion," complete with Steven Tyler-like hair shaking and a cane-like mic (sans scarves)? Last year at Mystic Lake amphitheater, Underwood made a wise choice of doing Aerosmith's "Walk This Way," the tune she'd performed with Tyler on the Academy of Country Music Awards earlier in 2011. It's a better fit for her and a nice surprise for her fans..
Whose idea was it to do NINE songs from Underwood's new album "Blown Away"? Among her earlier hits that got left out were "Don't Forget to Remember Me," "So Small," "Just a Dream" and "Mama's Song."
And who advises Underwood about her outfits? The first two featured short skirts in front and long trains in back. Call 'em train wrecks or hot messes, the first with enough studs and sparkles for Cher and the second a bizarre punk-rock wedding dress.
How bout the short shorts made of denim, covered by floor-length fringe? Yee haw. The closing dress had three separate sections of gray, black and gray. Dull. And what was up with her various versions of fingerless gloves (with a cutout to show off her huge sparkly diamond)?
The best outfit without a doubt was the black marching band coat (with long silvery epaulettes) over a black cat woman suit decorated with sequins and spangles. Very sexy and very flattering.