One of the bandleaders wound up being a renowned rock producer. Another now builds guitar effects pedals for much more famous musicians.
Mostly, though, the five Twin Cities groups featured on the new compilation album "Southeast of Saturn, Vol. 2" were forgotten. Which makes it all the cooler that Jack White's record label is now showing them some love.
"Clearly the bands on this compilation were doing what they believed in (as were we), because labels were not salivating over" this stuff, said Michael Reiter, drummer for one of those bands, the 27 Various.
The music in question is the genre widely referred to as "shoegaze" rock — loud, whirring, warped guitars, repetitive grooves, melancholic melodies and droning noise levels. Led by late-'80s U.K. bands such as My Bloody Valentine, Slowdive and Lush, the genre's purveyors would often perform in low light, staring down at the pedals at their feet; hence the name.
When his Third Man Records label issued the first "Southeast of Saturn" compilation in 2020, White made a point of shining a light on bands from his hometown of Detroit that specialized in this glorious noise. The collection was well enough received for the label to look further across the Midwest for similar bands, also including Wisconsin, Illinois and Ohio.
In the Twin Cities, the five early-'90s acts found for the second volume include: Colfax Abbey, which boasts the collection's lead-off track, "Feel"; Shapeshifter, which has maybe its best track, "Low Profile"; Fauna, led by future ZVex effects pedal maker Zachary Vex; the little-known but impressive Ouisa, and the aforementioned 27 Various.
Fronted by future Polara leader and Flowers Studio operator Ed Ackerson — who produced albums for Motion City Soundtrack, the Jayhawks and Golden Smog before his death to cancer in 2019 — the 27 Various was probably the best known of the groups locally. It opened for shoegaze-style bands Swervedriver and the Boo Radleys at First Ave back in the day and released two full-length albums in one year (1992).
Still, Reiter echoed a complaint oft heard from the bands of that era: "It felt like we were drowned out by Nirvana, Pearl Jam, Smashing Pumpkins and the like."