Eric Lorberer was so thrilled to be introducing writer Joy Williams at the Twin Cities Book Festival on Saturday that he could hardly believe it was true.
"So somebody tweet it so I'll believe it," he said, a joke, of course, since Lorberer is not on social media—not on Twitter, not on Facebook, only occasionally on e-mail.
But there was Williams, in black cowboy boots and sunglasses, smiling broadly, standing up, reading her classic story, "Escapes," which was the title piece of a 1990 collection and is now included in her new book, "The Visiting Privilege."
"Writers pretty much line up to praise the grace and mastery that she brings," Lorberer said. He wasn't't the only one in awe of Williams; British novelist Rupert Thomson, himself a featured author at the event, was in the front row, and later he tweeted (because he is on Twitter), "Would not have missed Joy Williams reading 'Escapes' for the world @TCBF15."
Williams is 71, thin and wiry. Her stories are "quirky and ominous," said the New York Times; the "dark at the end of the tunnel."
The characters are children in danger, children who are abandoned or neglected; people on the edge; and animals, always animals.
"We don't rule the world as much as we think we do," Williams told the festival crowd. "So much of it is inhuman. An animal blesses the story for me. Every story needs an animal."
Williams writes short stories, novels, and essays—her essays, she says, are not balanced or measured, but fierce. "I don't care about them being balanced. I don't care about them being subtle," she said. "I want to produce rage in the reader."