
How does it go when the tables are turned and the interviewer becomes the interviewee? Judging by Wednesday night's conversation at Magers & Quinn Bookstore in Minneapolis, a little shy, a little sweet, and very interesting.
Book critic, editor and author John Freeman was in town promoting his new book, "How to Read a Novelist," a collection of author interviews he conducted for The New York Times, the Wall Street Journal, the Star Tribune, and elsewhere. (In his interview with Erdrich, he calls her "quiet and self-effacing," words that could have been used to describe Freeman himself last night.)
So during his book tour, novelists have been seizing the opportunity to query him ("It's an obscure form of therapy," Freeman joked)--in Seattle, Nicola Griffith; in Brooklyn, Geoff Dyer; and in Minneapolis, Erdrich, who was respectful and admiring. "This book is absolutely wonderful," she said. "I read some of the pieces over and over."
But she had plenty of questions. For instance: Was there any author Freeman interviewed that he didn't like?
He didn't allow that there was ("I like most people, because I'm from California," he said), but then he went on to talk about John Irving's pugnaciousness and ego, the wrestling ring built right into his house, his hallway of books, "and they're all John Irving books, in various languages."
The evening was a festival of names of authors Freeman has reviewed and interviewed--Irving, Geraldine Brooks, Edmund White, Richard Russo: "I never understood the anger in [Russo's] work. When he does it with humor you almost forget you're swallowing a bitter pill."
Throughout the conversation, Freeman almost reflexively tried to turn the questions back on Erdrich, who was having none of it. Each time, she'd smile a serene Mona Lisa smile and remind Freeman that she wasn't the one being interviewed this time.
In interviewing, "There is this performance anxiety," Freeman said. "And you want to be liked. But as an interviewer, you can't do that." He doesn't see the interviewer and subject as having an adversarial relationship. "As an interviewer, your job is not to try to catch someone with food in their teeth. Your job is to catch them as they really are. In the best interviews, you never see the questions, only the answers. Critics and novelists are often put at odds with each other, but we both use the same tools."