"Thunder Knocking on the Door," the stirring blues fable that features the music of Grammy-winning bluesman Keb' Mo' and Anderson Edwards, is being staged by Ten Thousand Things Theater Company in the Twin Cities for the first time since being produced at the Guthrie Theater in 1998. That version was incomplete, according to playwright Keith Glover, because he gained insights into his characters as he developed the play across the country.
The "bluesical," which features a guitar duel between a blind songstress who wants to regain her sight and the trickster title character Marvell Thunder, was originally directed by Marion McClinton, the Tony nominee who died on Thanksgiving at 65.
Now Marcela Lorca, who worked as an assistant choreographer on the large-scale Guthrie production, is taking an elemental approach that has the title character at a human scale.
"What I'm discovering is that there is so much humanity and so many questions about internal transformation in the show," Lorca said. "Everyone has their own crossroads when they butt up against the hardest things. How are they going to overcome those things? What inspiration, courage, revelation are they going to call on that allows them to fulfill their purpose as human beings?"
Those questions are essential ones, said playwright Glover, who talked about a show that celebrates America's foundational music.
Q: What's "Thunder" really about?
A: I had the great fortune to work with [director] George Wolfe, and he said that when you're starting something, you have to be able to say it in one sentence. "Thunder" is a fairy tale in the key of G.
Q: Isn't this a retelling of the Robert Johnson story of meeting the devil at the crossroads and making some sort of Faustian bargain?