The Replacements added to Atlanta's Shaky Knees Fest

Westerberg & Co. join a lineup that also includes Alabama Shakes, Spoon, the National and Trampled by Turtles.

February 6, 2014 at 3:48PM
(The Minnesota Star Tribune)
Tommy Stinson, left, and Paul Westerberg first returns as the Replacements at Toronto's RiotFest in August. / Photo by Tony Nelson
Tommy Stinson, left, and Paul Westerberg first returns as the Replacements at Toronto's RiotFest in August. / Photo by Tony Nelson (The Minnesota Star Tribune)
(The Minnesota Star Tribune)

A festival that hews closer to the average Replacements fan's music tastes than this year's Coachella lineup, Atlanta's Shaky Knees Fest announced this morning that the revamped 'Mats have joined the schedule for their three-day bash happening May 9-11. Paul Westerberg and Tommy Stinson and their new bandmates are now listed on the festival poster under Alabama Shakes, the National and Modest Mouse and over Spoon, the Gaslight Anthem, Violent Femmes, Conor Oberst, Iron & Wine, Jason Isbell and fellow Minnesotans the Hold Steady and Trampled by Turtles.

Not only is it a great lineup for middle-age and NPR-attuned indie-rock fans, but Shaky Knees is also a lot cheaper than Coachella, with three-day passes now on sale for $150 (vs. $375 for either weekend of the big California desert fest). The festival is held at Atlantic Station in downtown Atlanta and thus not a campout kind of event like Coachella.

Shaky Knees will thus be the Replacements' third gig of 2014 (counting two weekends at Coachella April 11 and 18) and their sixth gig since reforming for last year's RiotFests. Word is they are looking at other dates, too – but your guess on where and when is as good as ours.

about the writer

about the writer

Chris Riemenschneider

Critic / Reporter

Chris Riemenschneider has been covering the Twin Cities music scene since 2001, long enough for Prince to shout him out during "Play That Funky Music (White Boy)." The St. Paul native authored the book "First Avenue: Minnesota's Mainroom" and previously worked as a music critic at the Austin American-Statesman in Texas.

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