She was not interested in the background. She was interested in Emma Bovary.
"The poor woman," she said. "She doesn't get anything that she wants. I suppose that marrying a doctor should have been enough for her, but it isn't. She wants parties. She wants to dance and be admired by famous people. She wants to be loved by fascinating and distinguished men. And why can't she? Because she's stuck in a little town full of simpletons and dolts. Her stupid husband is always busy with something trivial and meaningless. Even when she has a child, it isn't enough for her. She wants more. She wants what everybody wants but is afraid to say it. She just wants to be happy."
"People find happiness in different ways," he said.
"Oh, I know. But what way can she find? Where can she find it?"
He thought he should be positive. "She could try to develop her talents. Maybe she could write. Maybe she could paint."
"Oh, I tried that — painting, I mean — but I wasn't any good at it. A couple of years ago there was a notice in the newspaper about an art class. I signed up — I really did. I hoped that the teacher would be some famous painter who just happened to be passing through town — looking for subjects, you know. I hoped that he'd have a beard and an accent. Instead it was just that woman in your school who teaches music and art — Ruth Armstrong. There were three other people in the little class, all of them women. And they all learned how to paint pretty good. They really did. But I didn't. Oh, you've been in my house. You saw those two pictures on the wall, didn't you? They're mine. You saw how awful they are. I'm ashamed now that I actually put them up. I even framed them. I bet they scared you away."