While most orchestras put their leaders front and center, the St. Paul Chamber Orchestra operates on more of a cooperative model. The orchestra's musicians choose which collaborators to invite and what music to perform. In fact, you can often catch an entire concert curated by a particular member of the orchestra.
On Tuesday, the SPCO announced its 2023-24 season, and it says a lot about the fruits of teamwork and listening. For example, the orchestra heard from audiences that they'd like evening concerts to start earlier, so things will usually get going at 7 p.m. Similarly, folks said they like the intermission-less "Express" concerts of 75 minutes or so. Hence, there are several.
And the SPCO will continue to perform at venues in all corners of the metro. Here are the concerts that look especially appealing.
September: The most thrilling baroque performances the SPCO's offered in several years have come with artistic partner Richard Egarr as curator, conductor, harpsichordist and very engaging host. He'll offer some baroque (by Antonio Vivaldi) on a program that also goes back to the Renaissance and forward to Beethoven with his Second Symphony (Sept. 15-17).
October: Speaking of artistic partners, cellist Abel Selaocoe will return with another example of his programming imagination and charismatic performing style (Oct. 13-14). And one of the world's great clarinetists, Anthony McGill, will solo on two clarinet concertos, one by Joseph Bologne, the other the most popular one ever written, Mozart's (Oct. 20-22).
November: Here's a fine combo. Conductor and pianist Jeffrey Kahane will team up with his son, composer and pianist Gabriel Kahane, for a program that features a piano concerto by Kahane the younger and a performance of George Gershwin's "Rhapsody in Blue" with Kahane the elder at the keys (Nov. 24-26).
December: In addition to concerts that include Arcangelo Corelli's "Christmas" Concerto (Nov. 30-Dec. 2), the SPCO will return to its annual traditions of J.S. Bach's "Brandenburg" concertos (Dec. 7-9) and George Frideric Handel's "Messiah," this year featuring Dmitry Sinkovsky as both conductor and countertenor soloist (Dec. 14-17).
January: The SPCO's unique Sandbox program allows composers to spend time with the orchestra and develop new pieces. Clarice Assad will offer a new one (Jan. 12-13) before one of the SPCO's first artistic partners, Douglas Boyd, returns to conduct works by Brett Dean, Richard Strauss and Mozart (Jan. 26-28).